A Quote by Max Lucado

I get one hour, really 25 minutes in a sermon on a weekend, to combat all the hours of the week that people are told you are what you have through billboards, commercials, and sitcoms, and so forth.
I don't have a lot of time in the sermon anyway. The sermon is only 25 minutes, which to me is frighteningly short. So I feel as if I need to get into that pretty quickly and make it as practical and accessible as possible.
As awesome as it is to be with a big act and get three catered meals a day and get a dressing room with an actual shower in it, it's hard sometimes as a new artist to come across in 25 minutes. You get 25 minutes to hopefully impress these people. I think the longer set is more suitable for us and gives us an opportunity to connect better.
A lot of people are like, "You're doing commercials?" And I honestly feel like those Sierra Mist commercials are better than a lot of sitcoms I get offered. It's hard work, and I'm paid a lot of money, and I do it because I love the soda.
I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
My mum said I told her I wanted to be a hairdresser during the week and a star on the weekend and that was when I was really young.
'Longmire' is an incredibly hard shooting schedule because the locations are usually an hour away every morning, and I come home every weekend. I fly back to L.A. for about 26 hours a weekend, just to touch base back at home. It's a lot of work. It's four really intense months.
Most people work all week to get to the weekend. A few work all weekend for years to get to freedom.
Know what the difference between hitting .250 and .300 is? It's 25 hits - 25 hits in 500 at-bats is 50 points. There's six months in a season, that's about 25 weeks. That means if you get just one extra flare a week - just one - you get a ground ball with eyes, you get a dying quail, just one more dying quail a week ... and you're in Yankee Stadium.
It always cracks me up when program directors or music directors or companies will say, 'Well, we did research, and we interviewed 25 people in our focus group, and this is what they said.' And I'm like, 'I've talked to 25 people in two hours! I talk to 50, 60, 70 people a night! Five or six days a week!'
I had someone call me this morning telling me they had somebody who would only work a certain number of hours a week because if they worked too many hours a week then they couldn't get their government assistance. And that person has multiple cell phones, and gets them new every month with new minutes.
I like doing 25-minute intervals on the treadmill. I go back and forth with running and fast walking and keep changing the incline to high and low. Then I do 15 minutes of lifting light weights and all different kinds of sit-ups, squats, and stretches. I do this routine four days a week.
Wilson was once asked how long it took him to write a speech. He answered, 'That depends. If I am to speak 10 minutes, I need a week for preparation. If 15 minutes, 3 days. If half hour, two days. If an hour, I am ready now.'
I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
People see you for 90 minutes a week, they don't see the all the effort and time that goes into the weekend.
I sleep five or six hours a night, then crash at the weekend. I'm learning to eat properly and exercise. I relax by watching silly sitcoms like 'Scrubs' and 'How I Met Your Mother.'
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