A Quote by Max Martin

Sometimes you have to think about letting people move on. — © Max Martin
Sometimes you have to think about letting people move on.
Everybody has that thing about them that makes them special, and sometimes we try to dull it down or we don't always want to expose it, and maybe we've been taught that way or whatever. It's just a matter of letting it out and letting it go and letting people in on it.
'Brave' is very specific and extremely personal. It can't be judged by people on the outside. Just can't. Sometimes brave means letting everyone else think you're a coward. Sometimes brave is letting everyone else down but yourself.
I know that I have to move from speaking about Jesus to letting him speak within me, from thinking about Jesus to letting him think within me, from acting for and with Jesus to letting him act through me. I know the only way for me to see the world is to see it through his eyes.
Think about all the great leaders. Think about Obama. Think about Clinton. Think about Nelson Mandela. Think about all the people that we know who are very successful in business, in politics and religion. What are they? They tell purposeful stories. They move people to action by aiming at the heart.
People sometimes approach me tentatively or suspiciously because of my father's reputation as a world-class negotiator, as if they think I'm about to take advantage of them. As if I know something I'm not letting on.
There's a huge cost to freedom in letting people talk about how you print these plastic guns or letting them say these things about arming for tyranny. There's also a cost to letting the government say these ideas can't be expressed, this is treason. It's difficult.
I think the main objective is to move people, make people think in their heart. I personally am not interested in appealing to other musicians. To me, it's more inspiring to move someone who doesn't know anything about music but has a feel.
I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.
I could never do just one thing, but everything I do is in the direction of stories. Sometimes writing them, sometimes showcasing them, sometimes letting people see them.
A lot of children, like I did, move away from words because of the fear - which is something you have to take out of education: the fear of worrying about what marks you'll get, detention, worrying about letting people down, your parents, teachers.
Good science is all about following the data as it shows up and letting yourself be proven wrong, and letting everything change while you're working on it - and I think writing is the same way.
Water, like religion and ideology, has the power to move millions of people. Since the very birth of human civilization, people have moved to settle close to it. People move when there is too little of it. People move when there is too much of it. People journey down it. People write, sing and dance about it. People fight over it. And all people, everywhere and every day, need it.
It's pretty easy to get sucked into a vortex of others and what their thoughts are and letting other people's judgments of you make you actually believe them about yourself. And sometimes you just need people to remind you that none of it means anything.
I think that's something that people feel that I do really well; I don't mind it, because ultimately I think the characters I play move people, and who wouldn't want to move people?
Love isn't always about hanging on. Sometimes it's about letting go.
Letting an emotion move through you is healthy. Letting an emotion define you is not.
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