A Quote by Max Martin
If the chords change a lot over the course of a song, it's better to stay within the same melodic structure.
Related Quotes
I try to stay the same, but I also think that change is inevitable. What I mean is, if you stay the same as in your rookie days, you can't deal with all the new responsibilities you are faced with. Of course, my most important values should stay the same.
It's just rock and roll. A lot of times we get criticized for it. A lot of music papers come out with: 'When are they going to stop playing these three chords?' If you believe you shouldn't play just three chords it's pretty silly on their part. To us, the simpler a song is, the better, 'cause it's more in line with what the person on the street is.
The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.
I've always sung. My dad had a song in his heart and on his lips 24/7. A lot of the time, it was the same song and the same phrase over and over again.
I could see how artists like Parliament would revisit the same music and kinda change it a little bit, change the words and hook, and it'd still be that same flavor. A lot of groups back then would make another song that sounded very similar to a song they already had. Ohio Players used to do it.
With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
A good song is a nice set of chords and some good lyrics; a great song is a song that reinvents itself over time. That you can always find something interesting in the more you listen to it - it keeps revealing something to you.
We haven't really changed, we've just gotten better at executing what we've always been trying to do. We're not really a band that has undergone huge stylistic decisions to change, we're just trying to follow the song. More and more, we let the song lead us - we don't try and put the song into a structure of our taste or our fashion.
When I was first learning songs, I'd have a favorite song, and I'd take the chords and twist them around. I'd learn the chords and then play them backward. That was my first experimenting with writing a song.
The fight is always the same within the Democratic Party, isn't it? The more things change, the more they stay the same.
Sometimes I read the same books over and over and over. What's great about books is that the stuff inside doesn't change. People say you can't judge a book by its cover but that's not true because it says right on the cover what's inside. And no matter how many times you read that book the words and pictures don't change. You can open and close books a million times and they stay the same. They look the same. They say the same words. The charts and pictures are the same colors. Books are not like people. Books are safe.
If you write in the same way over and over again, like, in the same place with the same techniques and with the same people, you're sort of writing the same song over and over again.
Every single song has its own individual character and you can't treat each song the same way, because it wants to be treated differently and there are songs that are like scared birds that you have to sneak up on over the course of months in the woods.
My first song was called 'Portrait.' It would just be poetry, and I really never understood how to write the structure of writing a song. I just knew the feeling, and I knew it was supposed to break and change at the same part, so that's how I write music.
Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.
I knew a lot of chords, but they weren't the chords that came with the melody that came with the idea I had for the song. Melodies are simple things. If you see a train wreck, there's a melody. If you see a little daisy blowing in the breeze, there's a melody.
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