A Quote by Max Minghella

I always prefer shooting on locations, because when I'm at home, it's harder to sort of get lost in the world of whatever you're making. It does, it does force this bond and community amongst a group.
I always prefer shooting on locations, because when I'm at home, it's harder to sort of get lost in the world of whatever you're making.
I have such a respect for comedy. It's a lot harder than doing drama, in my opinion; you have to have sort of an innate sense of humor. There are rules to comedy you can learn. But ultimately, it really does require a certain point of view on the world, and that really does appeal to me.
We [Cleveland Browns] are from the same segments of America that everyone else is from. We have the same diversity, the same mix, so we don't run away from issues amongst each other, because we're brothers and we have to build that bond because we're always on the quest to be world champions. That's always our quest, and if you don't have that bond, it's not going to happen. So I guess every locker room is different, but our locker room I think is more than fine.
If you turn the other cheek, you will get a harder blow on it than you got on the first one. This does not always happen, but it is to be expected, and you ought not to complain if it does happen.
You're young and you're always in pursuit your young manhood. You're trying to figure out - what does that mean? What does - you know, there's a lot of pressure on young men to sort that out. And, you know, we tend to gravitate towards one-dimensional iconography as far as what it means to be a fully grown man. And you can get lost in so much of it out there.
'Imposter Syndrome' is the feeling of wearing a mask and playing a role that one does not feel at home in. It is when you feel like you or your work is a fluke and that you're a dwarf amongst giants. Many of us have this, especially when we're in some sort of creative industry.
Whatever it is that the government does, sensible Americans would prefer that the government does it to somebody else. This is the idea behind foreign policy.
Is love the desire—no, the need—to be with that person, whatever the cost? Does it cause the rue of rage when you see that person with another? Does it make you ache to hold her, to whisper things that sound foreign and strange to your tongue? Does it make you wish for things you know can never be? I haven't the answers, Riley. In all that I've learned over the years, no one has ever mentioned a force such as this. But whatever it is, I feel it for you. We would have been good together.
But that's kind of an easy stance to be if you're a humor columnist, because you're tending to make fun of the government and the powerful. I'm sort of a soft-core libertarian in that my compass is generally pointing away from 'Let's let the government do this' Does it matter to me that it's Democrats who think we need more elaborate programs that involve shifting money from one group to another group or it's Republicans saying we need to take a harder look at what kinds of things people are watching on cable TV? Neither one of those things strikes me as a good idea.
I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.
I always prefer the character moments. For me, personally, whether I'm shooting the gun or not shooting the gun, I really don't care. I'm the guy who's like, "Whatever you want me to do." But, I really get excited about the character moments that are steeped in emotion when the stakes are high.
I'm fascinated by the journey that an intelligent and an ambitious woman makes in the professional world in contrast to the journey that a man of similar ambition, of similar intelligence makes. What sort of concessions does a woman have to make? Does she have to work 20 percent harder than a man?
Just because a group does not take its decisions by voting does not mean they have no understanding of the essence of democracy.
One must understand that shooting is a very individual sport and see what sort of coaching possibilities exist in the country and what their standards are. One of the issues that has been faced earlier by shooting athletes is that we have one odd national coach for whom it's impossible to give that sort of attention to say, a group of 30.
If someone uses the uniform, whatever uniform, for partisan politics, I am disappointed because I think it does erode that bond of trust we have with the American people.
Group shows are always much harder to present to the public because there's a theme to the show. They always do less well because a theme is a harder thing for people to grapple with than a monographic idea.
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