A Quote by Max Reinhardt

The art of lighting the stage consists of putting light where you want it and taking it away from where you don't want it. — © Max Reinhardt
The art of lighting the stage consists of putting light where you want it and taking it away from where you don't want it.
I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
Taking drugs on a recreation level is one thing. But taking them while you're working on a stage is, I don't think it was that great. It's the control factor. And the thing about being on stage, you really want to feel that you're sort of in control a lot. It's not a place where you want to be out of control.
I don’t want to fade away, I want to flame away - I want my death to be an attraction, a spectacle, a mystery. A work of art.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
Everybody is in your business, gossiping and being mean spirited. It's different. Sometimes I'm like, "Do I want to do this?," because it's not about the art anymore. It's a struggle. There's part of me that wants to share my gift, which is art, and if I don't, am I taking away something that the Creator gave me to share? At the same time, I don't want to be a part of feeding the dumbing down of society.
Once you can open yourself to joy, you feel as if you've transformed your sadness into illumination, which is really all that art is. All we want to do is transform the negative emotions into light. We want to compost them into light.
There were pockets of this career - whatever you want to call it - where I said, 'I've tapped out. I don't want to do this. I'm gonna go be a stage hand. I don't want to do this. I don't want to talk to people. I'm afraid of people. I'm going to walk away from everything that this was and is.'
Do not Bodies and Light act mutually upon one another; that is to say, Bodies upon Light in emitting, reflecting, refracting and inflecting it, and Light upon Bodies for heating them, and putting their parts into a vibrating motion wherein heat consists?
People think a big camera and big lighting will make art, and I want to break that rule. If you have a great concept, it can be art.
I don't know under what lighting I can play Juliet. Maybe with a small night light illuminating the stage.
Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.
I'm not interested in putting naturalism on stage - I want passion.
Women are taking the main stage. They are center stage, and they're setting all these records and making history, and I want I be a part of that. I've worked so hard to be a part of that.
I have an image in my mind of what I want, whether it's a light jacket or a one-piece. I can tell if what I want is in the store right away.
The killer app that got the world ready for appliances was the light bulb. So the light bulb is what wired the world. And they weren't thinking about appliances when they wired the world. They were really thinking about - they weren't putting electricity into the home. They were putting lighting into the home.
And my real enemy is not to hold the specimen sterile, but it's the lighting. The light is our real enemy. So we have to work with very very poor lighting. But we can increase the light with computers.
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