A Quote by Max Richter

When I was a student, if you accidentally wrote a triad in a piece of yours, it was just sort of like you were breaking the law! You just couldn't do it. And that just meant you were a bad composer.
In the old covenants the people were sprinkled with blood of calves without, in their bodies, to bind them to keep the law; else we were bound to just damnation, for the breaking of it.
It was sort of just a family sport. My mom and dad were pretty keen golfers when I was young and so were my grandparents, and I just sort of tagged along with them.
For 'We Are the Streets,' we'd just gotten off Bad Boy. So we were just back in our element and were going up to Powerhouse every night just creating.
I guess you have to be a little arrogant to be a writer. I decided early on that just because a lot of other writers were bothered by getting bad reviews didn't really mean that the things were particularly important. By the same token, the good ones didn't mean all that much either. So I just forget about reviews and I wrote what I wanted.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
One of my favorite teams of all time is Fran and Barry. I just thought Fran and Barry last season were just incredible and they just sort of went against all odds and were very successful.
When you're moaning, all you are doing is focusing on things that were not in your control, at least you are not exploring whether they were in your control, which is bad. You're just focusing on the one piece of bad variance that happened. There's nothing productive that comes from it.
I just meant as far as coming to the games on time; it was just like I was under the microscope, every little thing, it was like they were looking for me to come in here with my shoes untied.
I've never been a cop hater. You know, when I was breaking the law, the cops were the opponent. I just thought I could outsmart them.
It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, "Hey everybody, it's impossible to make a show where every episode is great!" No it's not.
You have a tendency to just remember the bad times and bad moments. I think that often it's the way of life. Yet the rewards we got from it were fantastic and we played a lot of shows to sellout audiences in I don't know how many cities. I just think we didn't realise how insane it was until we were actually right in the middle of it and couldn't stop. We just couldn't stop.
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
I come from an intense family - like, we're just intense people. Not bad people or anything, we are just very intense, and I have just always felt like people who weren't like that were just a kind of hiding it, like when I was really young in high school.
I was never an A student. I never really liked going to school like many of my friends. There were just too many students and too competitive. We were sort of forced into studying to go to college. It was like if we didn't go to college, society looked at us as failures. We didn't know what to do with the situation.
I feel like people always thought my sister and I were models. I think it was just because if you went through Diva Search, that's just what you were. We were never models; we were athletes. We were athletes who fell in love with wrestling.
I grew up in a church-going family, a very sort of ordinary, middle-of-the-road Anglican family where nobody really talked about personal Christian experience. It was just sort of assumed like an awful lot of things in the 1950's were just sort of taken for granted.
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