A Quote by Max Richter
'Spring One' probably has only four bars of Vivaldi in it, but it feels like it's all Vivaldi. It's odd. It's a bit like walking around a sculpture, you just sort of see it from a different angle.
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When I'm really in the car, I'll cut on Vivaldi's 'Four Seasons.' That's probably the thing that's soothing to me the most.
I grew up in a family that was very musical, learned the blues and everything like that. And I became a little bit frustrated with the simplicity of rock n' roll and blues. I started listening to a lot of classical music - mainly Bach, Vivaldi.
Learning a play is one thing, but to learn to play Vivaldi's 'Four Seasons' without music: that's brilliant.
What is at the higher levels of meaning consciousness is like a hyperspace in which each point is equidistant from the other and where 'the center is everywhere and the circumference is nowhere'? The mythologies of the occult seem like baroque music: there is an overall similar quality of sound and movement, but, upon examination, each piece of music is unique; Vivaldi and Scarlatti are similar and different.
For me, even my break time I like to pull out the bow and just go over a Vivaldi sonata and keep my head sharp, keep everything sharp.
I think in Baroque music, especially in the case of Bach, what really transformed Bach's musical language, what changed it for him was hearing Vivaldi, hearing the sort of manipulation of small cells of information and patterns in order to generate sort of huge blocks of harmony.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
I'm from Italy, the home of Vivaldi, Rossini, Puccini. When I stopped playing and became a manager, football became like a beautiful piece of music to me - and the players, an orchestra.
I'm looking for things where, like with 'Ten,' I don't look like me, and I'm playing something a bit different. I'm just trying to flex a different muscle and see if it works. I've saved the world and killed monsters and done all that. Now I want to try something a bit different and a bit more challenging.
If you're walking down the street in L.A., people do sort of look at you like you're a hooker because it's so rare to see someone just walking.
I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.
Mozart. Vivaldi. Van Gogh. Stretched their genius on struggle, stress and survival.
I have no prejudice about which music is better. I listen to Vivaldi. I like Nick Cave. I love Travis Scott, James Blake, Lola Flores. Music can serve many functions. And so I listen to everything!
And there is quite a different sort of conversation around a fire than there is in the shadow of a beech tree.... Four dry logs have in them all the circumstance necessary to a conversation of four or five hours, with chestnuts on the plate and a jug of wine between the legs. Yes, let us love winter, for it is the spring of genius.
Nothing is wrong with you. You're not different. Everybody feels as bad as you do: this is just what writing a novel feels like. To write a novel is to come in contact with raw, primal feelings, hopes and longings and psychic wounds, and try to make a big public word-sculpture out of them, and that is a crazy hard thing to do.
I try not to snack, but my family, we're all big snackers. So I try to keep healthy snacks around, like Nutri-Grain bars, pistachios, that sort of thing. But you're always going to cheat a little bit.
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