A Quote by Max Richter

All music is just a collision of sounds until you know its internal conventions and understand the nuances. It's a question of familiarity. — © Max Richter
All music is just a collision of sounds until you know its internal conventions and understand the nuances. It's a question of familiarity.
I don't understand anything technical about music at all. I don't understand any of it, why you can't put these sounds together with those sounds. I only know what sounds good.
There is an intelligence factor that works with the spoken word. With words, you have to understand meaning and nuances and things like that. You have to be able to relate...but with music it's just music.
Once women begin to question the inevitability of their subordination and to reject the conventions formerly associated with it, they can no longer retreat to the safety of those conventions.
I'm always looking for sounds that are pleasing at the time. The sound of a helicopter is really annoying until you're drowning, and it's there to rescue you. Then it sounds like music.
Several times a day, stop and just listen. Open your hearing 360 degrees, as if your ears were giant radar dishes. Listen to the obvious sounds, and the subtle sounds?in your body, in the room, in the building, and outside. Listen as if you had just landed from a foreign planet and didn?t know what was making these sounds. See if you can hear all sounds as music being played just for you. Even in what is called silence there is sound. To hear such subtle sound, the mind must be very quiet.
You need to understand the meaning of the dialogue to be able to convey it right. You need to know it to understand the nuances of the scene.
The collision of hail or rain with hard surfaces, or the song of cicadas in a summer field. These sonic events are made out of thousands of isolated sounds; this multitude of sounds, seen as totality, is a new sonic event.
I think humans are fascinating in general. We're so weird. We do so many quirky things, and we don't even know it. There's just so many layers upon layers of nuances in everything we do, and the most fun part as an actor is trying to get into all those nuances, whether they're conscious or unconscious.
Ultimately, the question, "does it really matter?" is a question of humanity. If you're into the pursuit of fidelity, it's a really interesting question. Personally, I don't think digital sounds good, but that's just my own feeling.
What is there to understand? The significance of life? How long will it take to understand the significance and the meaning of life? 20 years? 30 years? And the same question will be here in another 20 years, I guarantee you. Until you stop asking that question. When that question is not there, you are there. So that's the reason why you keep asking the question: you do not want the question to come to an end. When that comes to an end, there will not be anybody, left there, to find out the meaning, the purpose and the significance of life.
I understand now that boundaries between noise and sound are conventions. All boundaries are conventions, waiting to be transcended. One may transcend any convention if only one can first conceive of doing so.
If you were to talk to somebody from Georgia you would understand what he's saying, he wouldn't sound like your next-door neighbor in Montana, but other than that it's the same language, just with a few little different nuances. That's just like country and blues, or blues and rock 'n' roll. They're the same music with different accents.
Well as I say, don't believe everything that you read and don't be afraid to think and it is alright to understand what has gone before but don't just rely on copying but develop your internal voice and your own internal means of interpreting.
Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.
Absolutely, I'm living my dream. Yeah. My wife always jokes, says I'm a big kid, you know, playing in the studio and coming up with melodies and sounds. And, you know, I wouldn't know any other way because I just have music in my head all the time, and I just love it.
I know it's simple, but my main inspiration is just my love of music. I know that sounds overly naive. But it's true.
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