A Quote by Max Riemelt

I was a big fan of 'The Matrix,' and I wanted to work with these people. — © Max Riemelt
I was a big fan of 'The Matrix,' and I wanted to work with these people.
I definitely have plans to do more collaboration albums in the future. I'm a big fan of Common. I'm a big fan of Scarface; I'm a big fan of so many people, from Jeezy to... well, there are a lot of people's music that I respect. I don't know who I will collaborate with, but there's a great chance of something happening.
I really wanted to work with David Lynch. I was a big fan of The Elephant Man and Eraserhead.
I was late to the Knicks. My dad was a big fan. But I first started watching baseball; I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
I'm a big greens fan. I'm a big vegetable fan. I'm a big whole grains fan. And I exercise a lot. That's how I keep this petite dancer's figure.
I'm usually always a big fan of the people that I'm working with, because I get to work with big people.
I really wanted to work with Luc Besson. I'm a big fan of his. Did you ever see 'The Professional.' It was very violent. But a fabulous story, a fabulous movie, very well done. So that and two or three other projects of his that I've seen, I just thought if I had a shot to work with him I wanted to do it.
My father is a big fan of Amitabh Bachchan and always wanted to work or star in a remake of any of his film. But he didn't get the opportunity.
I'm quite good friends with the putative director, Vincenzo Natali, and I'm a big fan of his work, but beyond that, I don't like to talk about other people's work work-in-progress.
I always wanted to do good work, but not in order to buy big houses and big cars. I just wanted to be 'alright', to have enough money to be able to live on, to go to the cinema when I wanted to, and buy the books I wanted to read.
The most embarrassing part of the film is that the new problem posed by simulation is confused with its classical, Platonic treatment ... The Matrix is surely the kind of film about the matrix that the matrix would have been able to produce.
I'm a huge 'Nightmare before Christmas' fan, but that was also Henry Selick. I'm a really big fan of 'Sleepy Hollow.' I love 'Big Fish,' too, which is a bit different. There's a really cool era of early-Burton stuff like 'Ed Wood' that I'm a big fan of.
It's a huge blessing to know you've done something that has affected people the way 'The Matrix' has. It's like, there's 'Star Wars,' and then there's 'The Matrix.' It's cool to be a part of that.
Podcasting - it's a huge, huge thing now. 'The Fighter and the Kid' and the 'Big Brown Breakdown' reaches more people than a lot of shows on networks right now as far as television goes. It's such a loyal fan base, and I know my boxing. I'm really into it. I'm really honored to be a part of something like this. I feel like a glitch in 'The Matrix.'
You never know how your work is going to be received, and to have it be not just received by the people who wanted it or knew about it or our traditional fan base, which is pretty big, but also having it spill over to everybody who plays games, and then those people telling everybody else who doesn't play games - that's what it became.
What takes courage: no make - up. No make - up at all. Like The Matrix. I did the matrix and they had a rule all the characters in The Matrix, except the leads, of course, wore absolutely nothing on their face.
I'm a big fan of Steven Seagal early films. On Deadly Ground, I'll watch that anytime it comes on. That's one of the reasons I wanted to work with him. I remember that he's got a great eye for photography. There was a lot that I learned from that.
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