A Quote by Max Roach

The people who really got me off were dealing with the musical potential of their instrument. — © Max Roach
The people who really got me off were dealing with the musical potential of their instrument.
The people who really got me off were dealing with the musical potential of the Instrument.
With music, you could stick someone with a musical instrument or even not a musical instrument, get them to showcase their talent, and within 30 seconds you could tell whether they were good or not, but with acting you have to give them the right part.
Like so many families, we were dealing with limited means. We weren't poor at all, but we had some challenging times financially. When my stepdad got laid off... we were really trying to find our footing for a couple of years.
I'm dealing with Mexico, I'm dealing with Argentina. We were dealing in this case with Mike Flynn. All this information gets put into The Washington Post and The New York Times, and I'm saying, what's going to happen when I'm dealing on the Middle East? We've got to stop it. That's why it's a criminal penalty.
We really were a very musical family. Father managed to buy us a small pump organ, and I just loved this instrument.
If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song.
I didn't really know a lot of the history when I was younger. I didn't realize that the harp is coded in such a specific way in musical circles. It's kind of this society instrument because of its history as a young woman's parlor instrument.
I think having musical training as a child was really, really important. I studied piano as a child. Piano is a great instrument to understand musical theory on. I think I have that in my brain somewhere.
I got my first instrument at Christmas when I was three or four. My dad and mom got me a mandolin. It was the only instrument that fit me because I was so small. I went straight from that into drums when I was six and then started playing guitar when I was seven or eight.
I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.
I like to work my camera as if it were a musical instrument.
We really were a very musical family. In spite of the fact that we were so poor when I was a youngster that supper was often just a bowl of bread and milk, Father somehow managed to squeeze out enough pennies to buy us a small pump organ, and I just loved this instrument too.
I was actually home-schooled, so I never had the opportunity of going to prom. No-one invited me, I didn't have a good friend like Ashley at the time, that's why High School Musical's been so much fun for me because I got to experience my prom through it. There were amazing friends and I got to wear really cool dresses. It was a fantasy.
My parents were very musical in the sense that they were, you know, music lovers and avid buyers of records, but none of them actually play an instrument.
I regard myself as a beautiful musical instrument, and my role is to contribute that instrument to scripts worthy of it.
When I got signed to the 'Fader' Label, they got really excited about having me as their new artist. They were promoting my music everywhere. Pharrell was one of the producers who wanted to work with me, so I was really lucky to be one of those people who got to work with him.
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