A Quote by Max Scherzer
I'm not trying to throw six or seven pitches just to be able to strike you out. I'm trying to do it in three or four. It's the homework and the process between starts that I really focus on to help me do that.
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Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
You're just trying to go out there and give seven innings. Seven innings, 105 pitches, that's a good outing.
To me grinding out a good at-bat is pretty much fighting. And it's not trying to do too much with pitches, just finding a way to spoil a good pitcher's pitches, really.
Don't try to strike everybody out ... stay back and just focus on the catcher's mitt, just throw the ball low in the strike zone.
Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.
My clients train hard. They don't scream or throw weights - they just push hard, trying to get more out of themselves than their bodies want to give, trying to walk that terrible, beautiful line between controlled aggression and all-out insanity.
When you don't have one that you throw for strikes - they are good hitters - they can cancel out one pitch and go to another. Now I have four pitches. If one's not working, I've got three others. It makes the game totally different.
Normally, I focus on my job and focus on trying to help my team and trying to improve every training session and try to be as a good as I can.
The only time I really try for a strikeout is when I'm in a jam. If the bases are loaded with none out, for example, then I'll go for a strikeout. But most of the time I try to throw to spots. I try to get them to pop up or ground out. On a strikeout I might have to throw five or six pitches, sometimes more if there are foul-offs. That tires me. So I just try to get outs. That's what counts - outs. You win with outs, not strikeouts.
It took me three albums to get the confidence and to find out what I could do that made me different from other people. And the first record, really, was a process of trying.
I'm trying mostly to ask questions. And not just trying to stake out a position on something, but also trying to define the stuff we agree on. I'm having battles with comment posters trying to insert a little sense of order so it's not just a long pissing match between the edges, which is what I think a lot of the blogosphere is tending to do.
And all the world is football-shaped
It's just for me to kick in space
And I can see, hear, smell, touch, taste
And I've got one, two, three, four, five
Senses working overtime
Trying to take this all in
I've got one, two, three, four, five
Senses working overtime
Trying to taste the difference 'tween a lemon and a lime
Pain and pleasure and the church bells softly chime.
I know when I go outside, there'll be a van or two and they'll probably follow us four out of seven days a week, trying to get something. But I'm just going across town and I know they're just wasting their day, so it doesn't bother me anymore.
Everybody is just at the start of this huge process of trying to unravel what's going on with the 4,400, where they've been and why they're back and what they're trying to do with us in the present. And we're trying to work out what messages they're sending us.
For our family, the entire structure of our life, our home, our business relationships - the entire purpose is for everyone to be able to create in a way that makes them happy. Fame is almost an inconsequential by-product of what we're really trying to accomplish. We are trying to put great things into the world, we're trying to have fun, and we're trying to become the greatest versions of ourselves in the process of doing things we love.
The casting process starts off really scary, especially when you're trying to find a Harriet Tubman.
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