A Quote by Max Scherzer
A lot of times, I've always looked at pitching in the All-Star Game as a prelude to how you pitch in the postseason, sometimes how you might have to pitch on two days' rest out of the pen, only throw one inning and then you have to go face the best hitters. That's what you do in the All-Star Game.
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The game can come down to one pitch. But when you're actually out there on the mound and when you're pitching, you can't be worrying about the margin of error or whatnot. You have to go with your strengths and what you believe is the right pitch and keep executing pitches.
When you don't have one that you throw for strikes - they are good hitters - they can cancel out one pitch and go to another. Now I have four pitches. If one's not working, I've got three others. It makes the game totally different.
We watch so much film, calling up pitch by pitch, count by count in order to spot tendencies. Technology is a big part of how I get ready for a game. What's funny is a lot of the NFL guys say they study the 'Madden' game; that's how they learn to read offenses and defenses.
There's been times where I've come out of the bullpen thinking I was going to throw a no hitter, and I've lasted two or three innings. So I try not to use my pre-game warm ups as a barometer of how I'm going to pitch.
It's very important to go pitch-by-pitch and game-by-game and not getting too far ahead of myself. In the past, it was trying to make up for a bad game and thinking ahead and what do I have to do to fix this.
When you play eleven a side, you might go through a game with very few touches, but with street football, you're always involved in the game, so it is a great way to improve your skill and to learn how to create and use space, as the pitch is very small.
When an artist wants to paint a painting, they have all those things in their head that they want to portray on a canvas. It's the same thing when I'm pitching. I have all these thoughts going through my head about how I want to pitch: which pitch I want to throw here, and why do I want to throw it?
When you feel like you're going to have a low-scoring game, why not have one of your better hitters have a chance? All of a sudden you're in the ninth inning and you have one of your best hitters on deck that doesn't get up. I always think about that.
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
I threw the opening pitch at a Blue Jays game, and after the pitch, the mascot asked me if I wanted him to sign the game ball, which I thought was funny. What would he write? "Best Wishes, Some Guy in a Bird Suit"?"
The game is No. 1. You are an adjunct to the game. In a studio, there is no game. You are the star. That's why you are there. For the game, you can't go away from the game and beat your chest. People are there to watch the game. You are there to supplement, not to override or overwhelm.
Once you have a good bowling attack that can take 20 wickets anywhere, then no game is an away game. Every game is a home game. It doesn't matter what the pitch is, you have the ammunition.
How do I imagine my last-ever game? Maybe I'll go out like Zidane, headbutting someone on the pitch!
Man, it literally starts from after the game. I get every at-bat sent to me from the game. I'll go home, I'll watch every at-bat, kind of break down the game, kind of see, OK, what did I do? Why'd I miss this pitch? Why'd I hit that pitch?
It's just Lord be with me... Winning and losing isn't the most important thing. He's not worried about the outcome of the game. He's worried about how I reflect Him and how I'm pitching... I think every time you pitch and every time you go on the mound you have to understand that it's for Him.
The one who plays this game the best is Iniesta: he knows exactly when to go forward and when to drop back. He picks the right moment to do everything: when to dribble, when to speed things up and when to slow things down. And I think that's the only thing that can't be taught or bought. You can learn how to shoot and how to control the ball, but being aware of everything that's happening out on the pitch - that's something you're either born with or you're not.
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