A Quote by Max Scherzer
Look, the umpires behind the plate? They're human. They're doing the best they can to try to call balls and strikes. I understand that there's a lot of calls that kinda are 50-50. They can go either way. And as a starting pitcher, you try to manage, 'Alright, if you didn't get that call, maybe you'll get it again here a few innings later.'
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When you go up for the rebound, you can't wait for the ball to come down. You have to go get the ball at the highest point. That's how it is in football. If you want to win those jump balls and those 50-50 balls, you've got to go up and get it.
I just love the fact that all my pals are basically looked after. You know, we have these amazing deals, these guys split 50 percent. We have ownership 50 percent, all the bonuses 50 percent, and everybody's going to be alright. So going forward into the future, every one of these Millarworld projects, as we call them, 50 percent partners on everything. So it's just a really happy environment to be working in.
Sports teaches you there is always a second innings in life. If you fail today, theres a second innings maybe two days later. Maybe theres another opportunity coming up three or six months later. If you look at mistake as learnings and commit never to make a same mistake again, then you actually get better with every mistake that you make.
Sports teaches you there is always a second innings in life. If you fail today, there's a second innings maybe two days later. Maybe there's another opportunity coming up three or six months later. If you look at mistake as learnings and commit never to make a same mistake again, then you actually get better with every mistake that you make.
Remember when John Roberts was seeking confirmation of the Supreme Court, and he said judges should be just like umpires, just calling balls and strikes? Well, turnabout is fair play. What baseball needs behind the plate are umpires like those judges who are called strict constructionists, which means you follow subtle law to the letter.
It takes an awful lot of time for me to write anything. I have endless drafts, one after another; and I try out 50, 75, or a hundred variations on a single line sometimes. I work on the process of refining low-grade ore. I get maybe a couple of nu ggets of gold out of 50 tons of dirt. It is tough for me. No, I am not inspired.
I'm going to be 50 in 2018 and I figure that I should try to get as much in before then. After 50, you never know what might happen.
We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.
The phone will always ring. If I leave it even for a moment and go some where, by the time I come back there will be at least 50 missed calls. I will then get confused as to who to call and who not to, so it's simpler to live with out a cellphone.
If you think you cannot do it, you set yourself up to fail anyway. Maybe it will take one more try to do it, and that is what life is about. If you don't get it right on the first try, you try again. You keep doing it and doing it until you find success!
I'm sure there's a subconscious 'go for it' thing with turning 50. You want to do as much as possible and there are thoughts of how little time we have on the planet. For a lot of musicians in their 50s, the best days are behind them. I'd like to try and show that there is a future.
Byrd has always been that kind of pitcher, trying to trick you, keep the ball low, in and out. He threw a lot of strikes, worked it inside and out, threw breaking balls for strikes behind in the count.
Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'
I'll make phone calls. I'll call anybody and knock on any door to try and get a location, or get an actor, or get an actress. But no, it was just very easy. We just hit the ground running.
A lot of times, when young guys come up, you think you don't have to work as hard because the talent is going to get you as far as you need to go. But as you get older, it's not that way. An injury is really a wake-up call and a slap in the face that maybe you were slacking a bit, and don't let it happen again.
When I get up, I usually have a missed call from either my sons or my wife. Every day we try to talk on FaceTime, try to talk after practice and stuff like that throughout the day. Try to stay in contact as much as possible.
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