A Quote by Max Tundra
I hope nobody I wrote about becomes too upset.
Related Quotes
I tried, after I wrote 'Twilight,' to read 'The Historian,' because it was the big thing that summer. But I can't read other people's vampires. If it's too close, I get upset; if it's too far away, I get upset. It just makes me very neurotic.
The toughest part is that when your kid's upset, you're upset. You're rocked until they're not upset. Even when they're not upset, you're like, "I hope that doesn't happen, down the line." You're always nervous because you want your kid to be happy.
That's what George wrote! He wrote it. Why change it? There was this European company that I was speaking about awhile ago - course, didn't nobody know what Porgy was.
I just tell jokes, and I think a lot of people take it too seriously. It's not that I don't have things that I'm angry about in the world, and I think most decent human beings are upset about things, and even upset about things in their own country, but I'm not a particularly unhappy fellow.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
That's the worst way you can hear about comedy material: from a third person's blog story that they wrote when they were upset.
Freud wrote a book on the essence of humor, but he didn't know what he was talking about. Max Eastman wrote a book, The Enjoyment of Laughter, that was a much better book, but nobody bothered to read it.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
When spiritual seeking becomes too complicated, its exercies too elaborated, its doctrines too esoteric, it becomes also too artificial and the resulting achievements too fabricated. It is the beginners and intermediates who carry this heavy and unnecessary burden, who involve themselves to the point of becoming neurotics.
People are very upset with Washington. They're upset with Democrats. They're upset with Republicans. They're upset with the establishment.
I took to writing as my medicine to help me stay afloat in acting career journey. I wrote about me breaking hearts, and my heart being broken. I wrote about my views whether they were liberal or conservative. I wrote about everything. I wrote about my life. When I did not have paper coming in as green backs, I'd use random pieces of paper for stories. It was like, I got no money, but I have paper to write. So I wrote.
I'm not upset about my career; I'm just upset about how my name has been portrayed. A lot of guys have played with Bron and had success. There's nothing I can do about it. I've tried to change my image a million times.
The first Tea Party protest was scheduled for Inauguration Day. So what were they upset about? Which part of the job he was doing before he even did it were they upset about? Secondly, if they claim to be upset with government corruption, government takeover, crazy spending, where were they from 2000 to 2008? Right? And why weren't they protesting the stolen elections?
Getting upset about Netflix, to me, is like getting upset about the weather. It's just something that's happening, and we have to decide what we feel about it.
I don't really like too much credit. I know nobody's going to believe this, but I'd rather be able to score goals and nobody saw or even spoke about it. That would be just about the perfect world for me.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
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