A Quote by Max Tundra
The internet becomes too arch. The clip is uploaded and reuploaded endlessly with banner headlines and crappy 3-D graphics. Stuff rots in this supposedly clinical space.
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Anytime your banner becomes anything other than Jesus Christ you ought to be afraid of Hell. If your banner is “I'm a Calvinist”, if your banner is “I'm a homeschooler”, if your banner is this, that, or anything else, if you're rallying under any other name than Jesus Christ; you're in danger. You are in danger!
While on the space station, I kept up with news a couple of ways - Mission Control sent daily summaries, and I would scan headlines on Google News when we had an Internet connection, which was about half the time.
Every man becomes the image of the God he adores. He whose worship is directed to a dead thing becomes dead. He who loves corruption rots. He who loves a shadow becomes, himself, a shadow. He who loves things that must perish lives in dread of their perishing.
Beauty is not generic, bland, and clinical. It isn't all things to all people. The Cathedral of Notre Dame in its endlessly intricate detail was beautiful. Modern office buildings are not.
I also administer the Internet Assigned Names Authority, which is the central coordinator for the Internet address space, domain names and Internet protocol conventions essential to the use and operation of the Internet.
Basically there's just so much stuff flowing past on the internet now, you have to let most of it go. And I've grown accustomed to the process of not worrying too much about the stuff I'm not getting to, because the important stuff will come back around.
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
The Internet unfortunately means that, although a lot of truth and good stuff can spread as a result of the Internet, I think bad stuff and negativity spreads even more quickly.
But as Van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: I am because I die.
In its early days the Internet seem to be a counter cultural space and an anti corporate space, now is the place for corporate economic production. What the internet is now isn't what it used to be and it doesn't have to be what it turns into.
In harmony with the Tao, the sky is clear and spacious, the earth is solid and full, all creature flourish together, content with the way they are, endlessly repeating themselves, endlessly renewed. When man interferes with the Tao, the sky becomes filthy, the earth becomes depleted, the equilibrium crumbles, creatures become extinct. The Master views the parts with compassion, because he understands the whole. His constant practice is humility. He doesn't glitter like a jewel but lets himself be shaped by the Tao, as rugged and common as stone.
I think being a writer was a crappy job when you just had typewriters. It was crappy when we just had ink and paper. And it's sort of crappy now. It's always just you and the page. That doesn't change.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
We're also looking a lot at graphics and video. We've done a lot on a deep technical level to make sure that the next version of Firefox will have all sorts of new graphics capabilities. And the move from audio to video is just exploding. So those areas in particular, mobile and graphics and video, are really important to making the Web today and tomorrow as open as it can be.
And treating poetry as a performing art emphasizes its ephemerality. A printed poem can be endlessly reprinted, photocopied, scanned, uploaded, cut and pasted - but a performance, even if somebody's there with a video camera, is one time only: the audience experiences something that won't exist when the performance is over, and which won't ever be reproduced in exactly the same form. I find that appealing.
In my early 20s, there was a period when all I owned was about a dozen CDs and a crappy Discman. I'd listen to 'The Man Who Sold The World' album endlessly as I sat on off-peak trains jerking around the Sussex countryside to and from the asylum I worked in.
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