A Quote by Max Tundra

I love the finished product, but I find working in the studio a chore - I use an old-fashioned setup, so the recording process can be frustrating. — © Max Tundra
I love the finished product, but I find working in the studio a chore - I use an old-fashioned setup, so the recording process can be frustrating.
I really don't think records should be made in the manner where you sit and write, and when you're finished writing, you start recording. That just seems conventional and old-fashioned to me.
I think believing in eternal love or growing old together, people might think is a bit old fashioned. I am bit old fashioned, and I truly believe that it can happen provided that you do find the correct person.
When I'm finished with a film, I've been living with it, we've been dubbing it, recording to it, and so on. You walk out of the studio and, 'Ah, it's finished.'
If you presume to love something, you must love the process of it much more than you love the finished product.
I think one of the aspects of photography that remains for me is I find the process still frustrating. The counter to that is that it's still very exciting. If you didn't have the frustration, you wouldn't have the excitement. If you didn't have the disappointment, you wouldn't have the magical intoxication of this process working.
Don't get me wrong: I love the great times I had with Static-X, but sometimes the writing/recording process was frustrating for me.
Many composers use software to write music - programs like Finale or Sibelius. There are also recording programs. I should say I'm still very old-fashioned, I still use pencil and paper. But almost every composer I know does it the 'new way.'
Situation comedies are old-fashioned - they stick to formulas. I resent their music which is old fashioned. I resent the use of a laugh track.
I'm too old-fashioned to use a computer. I'm too old-fashioned to use a quill.
All these people talk so eloquently about getting back to good old-fashioned values. Well, as an old poop I can remember back to when we had those old-fashioned values, and I say let's get back to the good old-fashioned First Amendment of the good old-fashioned Constitution of the United States - and to hell with the censors! Give me knowledge or give me death!
T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.
I'm old fashioned. I really think you should know how to draw before you start painting. I use charcoal and graphite; I put a skylight in. In my house, I turned the garage into an art studio. So I'm awash in art studios.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
The journey matters as much as the destination. By engaging in the moment on set, I've stopped rushing and now find pleasure in the collaborative process - the characters, the costumes - rather than worrying about the finished product.
I had this instinct and I just knew it. It was a very strange thing and as soon as I finished recording it, we were all in the studio saying we have something really special here.
I felt that the studio recording process makes you stand still too long.
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