A Quote by Max von Essen
When I'm working, I try to be serious and rest where I can. I just mark in rehearsals. I still train. I warm up. And I still take lessons from this unbelievable teacher in New York, Joan Lader. I try to be stretched and ready to go.
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I guess by taking lessons early on, and really trying to play all the rudimentary stuff, and try to have it sound as good as my teacher. It took a lot of practice, which I enjoyed, and still do.
Well, the teacher I studied with for nineteen and a half years was a man named Paul Gavert. He was a great lieder singer, so basically I'm a trained lieder singer because of that teacher. The teacher I currently study with - since 1995 - is Joan Lader, who also studied with Gavert.
Well, the teacher I studied with for nineteen and a half years was a man named Paul Gavert. He was a great lieder singer, so basically Im a trained lieder singer because of that teacher. The teacher I currently study with - since 1995 - is Joan Lader, who also studied with Gavert.
I just try to try to keep an attitude that I don't know what I'm doing. Not to the point where I'm beating myself up, but I just go in thinking that I have a lot to learn. And I hope I still have that attitude 30 years from now.
The trouble is if we take no new steps to try a new challenge, our comfort zone doesn't seem just to stay still, but retract.
When I'm working on a picture, I get up at 6 o'clock in the morning, report to the sound stage for rehearsals at 8, then appear before the camera from 9 to 6. I dread going to lunch, because during that hour my muscles get cold and I have to warm them up again. Standing still is the most miserable thing a dancer has to do.
I played piano growing up, had lessons and all that. I still try to touch up on that every once in a while.
Keep believing in yourself, and don't ever give up, even if people tell you otherwise. Just believe in yourself and take every action you need to get there, whether it's taking more lessons or a fun, cool job in New York or LA and stepping out of the box. Be a little bit risky, but still confident.
I don't really miss pitching in games, and I don't think my arm could hold up. I would still love to try the radar gun, just not pitch on a consistent basis. I'd love to go and try to fire up the gun, though.
If you've done your preparation and you know the team of people that you're working with, then it makes life an awful lot easier. I still get nervous all the time. I think the best thing to do is to take a deep breath, make it simple, know what you're talking about, don't try and be fancy, don't try and be clever and just enjoy the experience.
I try to learn something from every character I take on. I try to better myself personally from it and Red allowed me to go ahead and accept what I did. Even though I had passion driving me, I still felt a little guilty that I gave up all the businesses in the pursuit of happiness.
The night before games, I try to get some shots up. Early on the game day, I come early in the morning to try to get some shots up. I just try to do the same things: go through the scouting, watch some clips before the game, just try to get my body ready.
It's depression. You can't put it into words. You get stuck and time passes by. I'm stood there on the edge of a cliff, can't go back and can't go forward. Days go by. I'm still in the same place. Everyone else's life goes on, but you're stuck. You try and try and try and I don't know how, but you came out of it eventually.
Mark Hunt knew I was going to try to take him down, and I was shooting for ankle picks to avoid his uppercuts. I tried it once and twice, and he thought I would try one more time, so I threw the knee. He was expecting the takedown and was ready to throw the uppercut, when he realized I threw the knee it was too late for him to cover up.
I was working at Kentucky Fried Chicken when my math teacher said, "You're failing in school, you're messing up, why don't you just try this?" I said, "Alright, let me try it," and I started going to acting classes and I loved it. I thought, "I may not make it but I love doing it."
One thing about New York is you can understand how you're perceived really easily if you just get on the train, by the way people look at you. But there's still an anonymity in it.
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