A Quote by Max von Sydow
It often disturbs me, when I see a film set in a historical time, that the people are too modern.
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For film, I think because it's more detailed, and especially with historical material, you really have to find the right projects. Speaking as a mixed-race woman, there aren't many historical stories about people like me. When people think of 'dual heritage,' they think it's a modern concept, but really it's not.
When violence is real and you flinch away from it, violence does not push people to try and imitate that. Often, we shun the violence that makes us flinch, because it disturbs us. And what makes us uncomfortable and disturbs us is not often bad. What disturbs us will not make us imitate that.
I don't usually see what I've done. I don't often watch the film or watch the show. It's really about that experience on-set and within the scene. Because later, when the film comes out or the show comes out it's the editor's realm or the director's realm. But that moment on set, that's that electricity between me and another actor, and that's really what excites me.
Co-mingling really disturbs a lot of the purists, who want to see the historical and cultural divides instead of the meshing.
Some people see ESPN. They see the long shots. They see me scoring the basketball, but they don't show often too many assists - and I've been doing that my whole career, being able to get the ball to the guy at the right time.
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
It is easy to see, though it scarcely needs to be pointed out, since it is involved in the fact that Reason is set aside, that faith is not a form of knowledge; for all knowledge is either a knowledge of the eternal, excluding the temporal and historical as indifferent, or it is pure historical knowledge. No knowledge can have for its object the absurdity that the eternal is the historical.
The idea of making a film - a film that I had certainly never seen before - about the slave experience was a huge responsibility. It's a project that requires a wider understanding of the geopolitical nature of the slave trade, of historical and modern-day racism.
I'd like to do a film in Canada, but it's too difficult. National Film Board funding takes too long, and there's too much paperwork; by the time the film is approved the topic is dead and gone.
You often see in Washington those who disagree you described as stupid or evil. It's one of the most unfortunate trends of modern political discourse. Portraying opponents as too dumb to know the truth but smart enough and wanting people to suffer.
It's definitely good to have a hit from time to time, though not too often. If you have a few hits in a row, people start to think every film you make will be a hit, which is a big mistake.
For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration.
Preacher is a book that somehow allows me time by its settling on it's characters, that sort of modern gothic western feel. You're not likely to see the boat veering too far from that.
I think that I probably break on set more than I make other people break. I've realized recently that, in my everyday social life, I'm a very easygoing person, but when it comes to work, I'm pretty type - A. I'm very focused and I take it maybe too seriously sometimes. So, when I'm on set, even when there are really funny people that I'm in the scenes with, I'm generally good at not breaking too often.
Modern education too often covers the fingers with rings, and at the same time cuts the sinews at the wrist.
What 'Strong Island' does is bring a historical perspective and help people understand that what we're treating as a modern-day phenomenon is actually not modern. It's actually quite old.
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