A Quote by Max von Sydow
Spielberg knows his craft so well, he can also improvise, and that is a lot of fun.
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What I think networks do so well are big, fun, accessible, invite everybody into the tent kinds of storytelling, akin to an early Spielberg movie or a Michael Crichton novel. That's not to say that there aren't scary parts 'cause there are, and that there aren't sexy parts and edgy parts, just like early Spielberg would have, but there's a lot of heart, a lot of emotion and complicated characters.
If you look back at a lot of these Spielberg movies and Stephen King books, even though there's a lot of fun and a lot of camaraderie, there's also a bit of sadness there, whether it's 'E.T.' with the divorce or in Stephen King's 'It,' where there's racism. There's always some sort of evil - there's sadness and people aren't happy.
These are the two sides of Steven Spielberg: the reverent grown-up who knows when to say the right thing and the exuberant kid who loves a good laugh. Both sides are sincere, and both are necessary, for Spielberg knows he can't feel good about himself unless everyone else feels the same way.
The artist alone among men knows what true humility means. His reach forever exceeds his grasp. He can never be satisfied with his work. He knows when he has done well, but he knows he has never attained his dream. He knows he never can.
On working with his father in Pursuit of Happyness: It was fun having that experience with my dad 'cause he really taught me a lot of the stuff that he knows. Almost everything he knows about acting in that one movie.
I continue to write songs that are topically related to social, political and economic issues of our time, but I also recognize that onstage, I have a lot of fun and audiences have a lot of fun, so I'm trying to package the messages in music and sounds that are fun to perform and fun to listen to.
I would love to share the screen with Meryl Streep, wouldn't we all? I would love to work with Spielberg and Scorsese; that would be lovely. I'm also a huge fan of Johnny Depp and the way he creates his characters, so that would be fun. I mean, any of the greats, really.
I think there has never ever been a career like John Williams'. That whole 'Jaws' phenomenon - there's nobody that knows how to use music like Spielberg, and John is just the perfect analog to Spielberg.
ECW was the most fun for me artistically. And then, WWE, it was also very fun, but that was part of it. It was also a very stressful, monotonous schedule. There was a lot of politics, adjusting to that, and I am not a politician, and I don't play those games. So that was very frustrating for me as well.
The good gardener knows with absolute certainty that if he does his part, if he gives the labour, the love, and every aid that his knowledge of his craft, experience of the conditions of his place, and exercise of his personal wit can work together to suggest, that so surely will God give the increase. Then with the honestly-earned success comes the consciousness of encouragement to renewed effort, and, as it were, an echo of the gracious words, 'Well done my good and faithful servant'.
Well, we studied a lot of books and things like that. Denzel has a personal experience with it, not himself, that's his business-I won't get into that, but he knows a lot about it as well. So, we took some real life experiences that we both-I've been told that I have OCD.
Snowpiercer has both [optimistic and pessimistic]. It was essentially optimistic. The most pessimistic was my part, because of his knowledge. He knows how it started. The status quo, he knows, has to be maintained, otherwise there is no chance. He knows that this revolution is completely understandable and is also commendable. He also knows the negatives. In the end, that's not a very positive position to be in.
I thought a lot about Nixon's personal history and the changes in America during his lifetime and tried to craft stories, which I thought reflected some of his personal history but also the backdrop of a changing America. Nixon grew up in a strict Quaker family. The idea of the American Dream, of hard work and not much fun, was ingrained in Nixon as a child, but curiously so was a love of music. Nixon himself was a pretty good piano player. So it's the contradictions that interest me, as I think we all have them.
To me, craft work is the ultimate. Maybe I got this idea from the autobiography of Benvenuto Cellini, who was employed as a sculptor to the state and church, making coins and things. While he admired Michelangelo, he also made fun of his spiritual angst with art.
Whenever I study a genre of film-making, Steve Spielberg is the first guy I go to. Even Catch Me If You Can, which is a very lightweight kind of thing, if you just look at the economy of the way he designs his shots and works around actors, the craft is amazing.
I do a lot of the stuff that I started out doing that I think any guitar player that's concerned about the craft needs to do. It's basic practicing of the basic elements. I try to practice like a well rounded regiment of things where I can kind of do whatever I wanna do and I also have to practice the actual songs to keep that under my fingers as well.
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