A Quote by Max von Sydow
In a silent film, you speak but the audience does not hear you.
Related Quotes
The mouth keeps silent to hear the heart speak.
When I switched to screenplays - 'cause I had done musicals and plays - the first assignment in film school was, you have to write a silent film. And it's tremendously helpful to learn how to do that because dialogue can be a crutch. If you can master a silent film, you're golden.
My character in 'Uthamaputhiran' will not speak much. But the audience would sure speak about my role after watching the film.
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
In America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience.
If we are silent when we should speak, we are not living the Discipline of silence. If we speak when we should be silent, we again miss the mark.
Only the silent hear and those who do not remain silent do not hear.
The core plot of 'Mercury' is so gripping that when I thought of making it as a silent film, it only made it more interesting. Once I finished writing the first draft, making a silent film that's both thrilling and engaging seemed possible. When the film team read the final script, they felt the same.
When I make a film - I direct my own film, I write my own script - that's what I want to hear from the audience. 'Oh, thank you, Jackie!'
I love theatre. It's far more satisfying than film. Sometimes there's a collective sigh from the audience, or it's so quiet you can hear a pin drop. I couldn't believe how easy acting was when there's an audience; after a few previews I almost couldn't do it without one.
That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.
I am moving towards that zone where I don't want to be a replaceable name. This is my goal. I want to hear from the industry that, 'You are the only one who can do this. We will not go ahead with the project if you don't do this.' And I want to hear from the audience that it is worth watching a film that I have done.
Does a man speak foolishly?--suffer him gladly, for you are wise. Does he speak erroneously?--stop such a man's mouth with sound words that cannot be gainsaid. Does he speak truly?--rejoice in the truth.
The absolutist takes himself to read nature in her very own language, but the relativist insists that nature does not speak, and we hear only what we have elected to hear.
For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.
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