A Quote by Maximilian Schell
I think there's a poet who wrote once a tragedy by Shakespeare, a symphony by Beethoven and a thunderstorm are based on the same elements. I think that's a beautiful line.
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Mozart, striving for perfection, wrote the same symphony forty-one times. In his case, it worked. He wrote a perfect symphony.
You've been listening to the adagio from Beethoven's 7th Symphony. I think Ludwig pretty much summed up death in this one. You know, he had lost just about all his hearing when he wrote it, and I've often wondered if that didn't help him tune into the final silence of the great beyond.
I think the whole emphasis in England, in universities, on practical criticism (but not that so much as on historical criticism, knowing what period a line comes from) this is almost paralysing. In America, in University, we read - what? - T. S. Eliot, Dylan Thomas, Yeats, that is where we began. Shakespeare flaunted in the background. I'm not sure I agree with this, but I think that' for the young poet, the writing poet, it is not quite so frightening to go to university in America as it is in England, for these reasons.
A visionary company is like a great work of art. Think of Michelangelo's scenes from Genesis on the ceiling of the Sistine Chapel or his statue of David. Think of a great and enduring novel like Huckleberry Finn or Crime and Punishment. Think of Beethoven's Ninth Symphony or Shakespeare's Henry V. Think of a beautifully designed building, like the masterpieces of Frank Lloyd Wright or Ludwig Mies van der Rohe. You can't point to any one single item that makes the whole thing work; it's the entire work-all the pieces working together to create an overall effect-that leads to enduring greatness.
Why are numbers beautiful? It’s like asking why is Beethoven’s Ninth Symphony beautiful.
If you don’t see why, someone can’t tell you. I know numbers are beautiful.
If they aren’t beautiful, nothing is.
Play doesn't have to be a frivolous thing. You may think of a Beethoven symphony as something serious, but it's still being played. I think Oscar Wilde said that life is too important to be taken seriously.
As the great poet wrote, ‘To thine own self be true.’…What? You don’t think a Skotos can be literate? I happen to love Shakespeare. Hamlet is one of my faves. (Zeth) I’m not touching that one with tongs and a gas mask. (Jericho)
A lot of people don't know that Beethoven, when he wrote the Fifth Symphony, that second movement, he took eight years to figure that out!
My parents once caught me conducting Beethoven's 'Fifth Symphony.'
Soccer and sports are entertainment ... You can't call Beethoven's 9th Symphony or a work of Shakespeare `entertainment.' It's not `entertainment.' It's culture.
In the work of the greatest geniuses, humble beginnings will reveal themselves somewhere, but one cannot trace the slightest sign of them in Shakespeare ... I am not concerned with who wrote the works of Shakespeare ... but I can hardly think it was the Stratford boy. Whoever wrote them had an aristocratic attitude.
I think teams make the same decisions every year based on the same information and based on the same decision-making. I think a lot of it is flawed, but it's the way they draft.
"With this same key Shakespeare unlocked his heart" once more! Did Shakespeare? If so, the less Shakespeare he!
Once an actor told me he went to the Shakespeare School of Acting, and I said, 'I went to the Shakespeare of Acting, too' and he said, 'Oh really?' And I said, 'I went to Shakespeare Elementary School in Chicago.' He didn't take the joke well, he didn't laugh and didn't think it was funny - I thought it was funny. It's all the same to me.
I find things funny that aren't self-aware. That don't know they're funny, and I think the same can hold true for drama. If you think you're in this tragedy and you play it for tragedy, there's a self-awareness there that I think takes you out of watching it and I believe it cuts both ways.
From the explanatory notes that Willson wrote to accompany his symphony, A Symphony of San Francisco,: "Generally speaking, the first movement is intended to convey pioneer courage, loyalty, strength of purpose and freedom." The trumpet motive in the closing Allegro "is a call of defiance to the very elements themselves that had the temerity to dispute the spiritual strength and courage of the golden city of the West."
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