A Quote by Maxine Peake

I think an actor's process should be very personal and private, and sometimes I have thought, 'Oh, please, put it away now.' — © Maxine Peake
I think an actor's process should be very personal and private, and sometimes I have thought, 'Oh, please, put it away now.'
Business is very personal. For me, everything is extremely personal. With actors, the fact that I write helps, because when you say to an actor "Oh I want you to do it a little bit more ...," without saying what you want more of, then the actor doesn't know what to do. But if you can put into words exactly what you want, then the experience of writing is helpful with that.
Earlier in my career I just thought "I'm not very confident, I don't like singing to people." But people had some faith in me, and here we are. Sometimes I think "Oh maybe I should just be a backing singer." But I've got an amazing team of people who tell me to shut up when I'm like "Oh god, I can't do it." But now, I can't really imagine it being the other way.
Very occasionally I hire an actor and get it wrong. The actor just doesn't trust the process or me as fully as I thought they would. In this case, you can be quite sure that if an actor is untrusting, it's got nothing to do with me or the process.
It's bizarre: sometimes I go through periods where I really want to put a song up online, and sometimes I'm sort of busy with other things... It's very much a hobby, that kind of thing. I sort of post it more for maybe my mom's benefit, and suddenly she says, 'It's got 50,000 views.' And I think maybe I should've put it as private.
Sometimes you think, "Oh man, this is going to be a fantastic movie," and then when you see it put together, you're like, "Oh, huh. Well, that didn't turn out quite the way I thought." Sometimes you think you're part of a project and it isn't that great, and then it sort of becomes a pleasant surprise. But I think there's just too many elements that affect the tone of a movie, so I think even for a director, it may be hard to gauge that.
The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'
I thought, can you think of any really good reason not to do it? Except that, oh, I'm so shy, or oh, my private life, or oh, are they going to find out how boring I am? You know? And that was the only reason now, in a sense, not to do television. Because it certainly is a method of expression, which has to be accepted as these things come along.
Sometimes a man gets carried away when he feels like he should be having his fun and much too blind to see the damage he's done, oh sometimes a man must awake to find that really he has no one. So I'll wait for you and I'll burn will I ever see your sweet return, oh will I ever learn? Oh, Lover you should've come over. Oh love well I'm waiting for you.
Sometimes our awards process can be very political in terms of just driving personal agendas, and I think we forget.
I should just put it bluntly, because we're all sort of friends here now - it's exceedingly likely that my greatest success is behind me. Oh, so Jesus, what a thought! You know that's the kind of thought that could lead a person to start drinking gin at nine o'clock in the morning, and I don't want to go there.
When you're writing a song with someone, it's a very personal process. The music has to be an organic experience, it can't be contrived, sometimes it is and I think people pick up on that.
Even personal tastes are learned, in the matrix of a culture or a subculture in which we grow up, by very much the same kind of process by which we learn our common values. Purely personal tastes, indeed, can only survive in a culture which tolerates them, that is, which has a common value that private tastes of certain kinds should be allowed.
I think, basically, I am an actor. Sometimes I'm an actor who's writing and sometimes an actor who's directing, but I think if I'm forced to fill out a form for my tax return, 'actor' is the first thing I write down.
I think I'd want to see the Hollywood sign, that's for sure. I've never seen that yet. And oh, please, please, please, can I go to Disneyland?
I always thought of myself is a private-sector person. I was a reluctant candidate. I put in my time. Now it's somebody else's turn to take charge. But I am still very interested in politics.
When it became easy enough to do dairy online, then I just thought, "Oh, I'll start doing this. I'll put the parts online that aren't going to get me in trouble. I'll save the rest for myself." It became also this kind of self-therapy. I could write about stuff that was bothering me, or personal stuff. And the very personal stuff I could edit out. But it was kind of the catharsis of getting it out and writing about it, that made me think, "Okay, I see why people do this, why they keep these diaries." So I thought, "Well, let's see what happens when I post some of it."
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