A Quote by Maxine Peake
When I'm going to work, I often stop and wonder how I've got here. I don't mean literally, but just thinking back to when I first had the idea of being an actress, it seemed so unreal, so unlikely. People like me just didn't become actresses. Every new job I get comes as shock. It's almost as if I'm waiting to be found out.
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I had no interests. I had no interest in anything. I had no idea how I was going to escape. At least the others had some taste for life. They seemed to understand something that I didn’t understand. Maybe I was lacking. It was possible. I often felt inferior. I just wanted to get away from them. But there was no place to go. Suicide? Jesus Christ, just more work. I felt like sleeping for five years but they wouldn’t let me.
I'm looking back at what I did and how it works. In a sense I'm waiting to see how people will respond. I'm waiting to see how you respond, without asking me to tell you what I think about it, because it is your job to give me an idea of how you go about thinking about this work. And if it's too absurd then, you know, I'll kick you out!
The Lord givith and the Lord takith away. I was given a lot of signs from the universe and looking at it in retrospect made me feel like God was telling me I needed to follow my dream. My granny getting in that car accident and being at that hospital when I was going there to see my girl... that whole part of the story where I go to the show and come back to the hospital... and it was almost like as soon as I found out that my granny didn't make it as soon as I got back, I also found out that my son had just come out.
I was able to get a few words out that Scott Peterson was the Scott Peterson that had a missing, pregnant wife and ... I just shook. They said I was there probably like an hour and it just seemed like a moment ... I couldn't stop shaking. So I was, I guess, in shock.
I got this idea about being afraid to let go of something and being afraid of sinking into a state of almost anesthesia, where you have to trust other people. Just the paranoia of it all. And it seemed to suit the frenetic track. So I just wrote it out and, you know, said it.
After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.
When I start writing a new imaginary future, I have no idea what it is. The characters arrive first. They help me figure out where they are living and I get to fill in the gaps with that and where we are. So when I get to the end of the process of composition, if I feel that I have really done my job, I have no idea what I've got - and I then spend essentially the rest of my life figuring out what it might mean.
In 'UnREAL', for me, just being so openly feminist, just being so overtly, like, 'This show is about women who are not necessarily likable, doing a job that is despicable, and we are not going to be afraid of that.'
Anybody can have this body if you do enough sit-ups and you just make a decision that 'Every day, I'm going to work out.' There are some days that I just don't feel like doing it, and I don't. But more often than not I get up and I get on the treadmill that I want to shoot and just do it. The first 20 minutes are the hardest.
I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that. And it's just anathema to being a writer. It's not healthy.
The late '90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio. We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn't get arrested a year later. I had this feeling at the time that that was not possible anymore, so the idea of becoming the biggest band in the country—it seemed laughable. I felt that having those sort of ambitions was foolish, because there was no way that was going to be possible. If you saw it that way, you were just deluding yourself.
A lot of people probably think I'm not athletic or don't even try to work out or whatever, but I do. Just because you're big doesn't mean you can't be an athlete. And just because you work out doesn't mean you're going to have a 12-pack. I work out to make sure I can do my job to the best of my ability. Other than that, I'm not going up there trying to be a fitness model.
I had just gotten Heroes, and I had just found out that I was going to be doing [Star] Trek, and I thought it was probably a good idea for me to create an infrastructure that would allow me to do my own work and put my stuff into the world.
When I got divorced, it was another culture shock. It was going from this world I had been into since the age of 16 to literally standing on the streets of New York in kind of shock.
When I was first thinking about what would become Venture for America, I was trying to figure out how to solve a problem - that our top young people were being driven to roles that did not, to me, address the needs of our time. That VFA would be a non-profit just seemed like the most efficient way to solve the problem.
For me, I felt bad for people asking the questions, cause you know their boss sent them out saying, 'Get me something on Mission Impossible.' And you ask the question, and it's just a polite, 'I'm not going to tell you.' Then, every so often, they'd go, 'Well, can't you just tell us a little bit?' I have to say, 'You know what guys, I'm under contract and I'm not going to tell you anything.' So you keep asking the questions and I'm just going to keep smiling. And it's hard, cause I don't want to seem rude, but it's part of my job just like it's part of their job to keep a secret.
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