A Quote by Maxine Peake

There aren't that many great female roles in Shakespeare - none that I'd be desperate to play. — © Maxine Peake
There aren't that many great female roles in Shakespeare - none that I'd be desperate to play.
I so find Harold Pinter and David Mamet's writing to be exciting, and obviously there aren't that many female - at least with Mamet, there aren't that many good female roles. But I always thought it would be interesting to play one of the guy roles.
There are certain aspects of me that can be bad-ass sometimes, but being able to push it to the extreme is something I'd love to play. You don't get those roles, as a female, and especially as an indigenous female. There aren't those roles out there, so I want that. I want women to see a strong, sexy female without showing her body too much.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
For every movie that you go see, how many leading male roles are there in any given movie, and how many leading female roles are there? There may be 5 or 6 really good roles for guys and maybe one for a woman. And it doesn't even matter if you're 25. That's just the logistics.
I can only imagine how much more fun it's going to be to play someone who shares my identity rather than having to contort myself to play a boy. I'm going to gun for those roles, be it a transgender female or a cisgender female.
There are some great roles mostly in Shakespeare's tragedies which no one can play at full strength from beginning to end. One simply hopes that one can hit the peaks as often as one has the strength.
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
If I only get to play Malaysian roles, there wouldn't be very many roles for me to play.
Football is based on desperation. All clubs are desperate in one form or another - desperate to succeed, desperate to survive, desperate to stay where they are, desperate that things get no worse, desperate to arrest the slide.
There aren't as many roles, and I think there's a lack of openness in casting an Asian character in a leading role or unless they're a stereotype. It's been hard. I've been able to play some non-stereotypical roles, which is great, but I have a lot of Asian actor friends who are struggling.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare's.
When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles.
Slowly but surely, we have much better female roles to play and to choose from.
People always ask me, 'Why so many historical dramas?' Because those are the best roles I get to play, and I get to play heroes in those roles.
The stage can be defined as a place where Shakespeare murdered Hamlet and a great many Hamlets murdered Shakespeare.
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