A Quote by Maxwell Caulfield

I'm always playing these mendacious characters who end up hoisting themselves by their own petard. — © Maxwell Caulfield
I'm always playing these mendacious characters who end up hoisting themselves by their own petard.
I love to laugh and dance. That's kind of my nature, though I end up always playing these angry, depressing characters.
I always hoped I'd end up playing a lot cooler roles. I do end up playing quite a lot of idiot savants, and I've actually started to revel in that slightly.
When I first got to college, in my mind, I was going to end up playing professional football. When I tell people this story, they always end up laughing, and I chuckle about it at my own expense. I was a big fan of American football; I played in high school, and I ended up earning the opportunity to play in college.
I still wrestle with the catharsis of acting. I don't end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that I don't always feel good.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
For 'tis the sport to have the engineerHoist with his own petard.
For an author, the nice characters aren't much fun. What you want are the screwed up characters. You know, the characters that are constantly wondering if what they are doing is the right thing, characters that are not only screwed up but are self-tapping screws. They're doing it for themselves.
We are so bemused by our own petard, that we are unable to look at things objectively.
Traitors hoist by their own petard?--or victims of the gods?--we shall never know!
I don't end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that, I don't always feel good. I get a lot more catharsis from taking pictures or painting or making short films.
I always try to keep in mind that while the characters in a farce may find themselves in outrageous dilemmas, and may behave in a way that the audience finds amusing, the characters themselves don't have the consolation of knowing they're in a comedy.
I think every writer will tell you that their characters are always partially themselves: who I am and what I've experienced. It's always there in part of my characters.
A lot of the characters I end up playing have a certain degree of glamour or sexiness, but I like it when you can have some other element that makes it much more interesting.
I like to think what I bring to the table is kind of a sympathetic and endearing quality, even while I'm playing outcasts or characters that end up in outlandish situations.
When you work with web design companies in San Francisco, you end up with a bunch of twenty-somethings who have their own cultural peculiarities, including obscurity for its own sake. You give those guys a website for a banking institution and they screw it up, because they are designing for themselves.
I'm mostly interested in characters and how they manifest themselves in their relationships. I'm delighted that people relate to the characters in 'Bojack,' and hopefully they will too to the characters in 'Undone.' If they understand themselves or feel seen in a new way, I think that's a wonderful thing.
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