A Quote by Maxx Williams

I'd like to say I'm one of the tight ends here and I hope this week helps me show that I do have the talent to be considered that. — © Maxx Williams
I'd like to say I'm one of the tight ends here and I hope this week helps me show that I do have the talent to be considered that.

Quote Author

I'm not talent. Not considered 'talent' by Lifetime. I'd like to say I'm their savior, but that would be cocky.
When one tight end succeeds, everybody succeeds - like the tight ends were making under $10 million a year. To me that doesn't make any sense.
Like most tight ends I was a pass-receiving tight end coming into the league.
My radio show is actually the conclusion to my week. Which means there'll be 20% of what's happened to me during those five days, on my show. If I don't do my radio show I actually feel lost! It's like the bookends - the beginning and the end of the week and the whole thing comes together. So for me it is important.
For me, watching Sergio Aguero week in week out helps my game massively, and I'm sure the other girls would say the same about various other players.
I'm not tryna save no one. I just hope my music helps, and I hope the message that's behind it helps people, you feel me?
You always study the players you go against. You try and stay ahead of it. Those guys are just too good to just show up on Sunday and think you're going to do well. Every week it seems like there's an all-star out there - to me, anyway. Every week is a rodeo. You just hope for the best.
Tight ends, third down, and the red zone is where you kind of need to stand out to be a very good tight end in this league.
When I went to the Pro Bowl, I went as a tight end. When I made the All Pro team, I made it as a tight end. When they introduced us and I ran out of the tunnel, they introduced me as a tight end. So how is that possible that now that my career is over, they say, 'Well, he put up stats like a wide receiver?' It's not my fault I was ahead of my time.
If I gave America any kind of hope or any kind of inspiration, I really want to say thank you for allowing me to continue doing that week after week.
We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.
Ideally, if you ask most tight ends, they would say we want the defender on us early. The reason for that is we feel like, for one, we know where we're going. Two, we can attack leverage, it declares itself if it's truly man coverage. We can work the release.
I think as women, you know, if you are considered a pioneer in these things, you can get really distracted by these other things - you know, people's demands of you reflecting on your otherness. And for this white critic to say, "I don't understand why she doesn't do that" - and you're like, "It's because I'm running a show on a major network and I want the show to continue" - and to sort of guilt me.
I hope I can make a show that will inspire a whole other generation of young women and girls to say, "I can do a show like that."
I feel like I don't mind acting in a sitcom because it pays well and is good exposure, but I don't feel like, comedically, what I have to say I can say on a show that needs to draw 14 million each week.
I learned that a television show is not a collaboration. You give your 180 percent, but you do not question the show-runners. I remember doing a reading, and my part was kind of small that week, and I commented on it, and the next week, they cut me out of the show. So I learned that you never ask questions. In TV, you always assume you're going to be fired.
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