A Quote by May Sarton

Poems like to have a destination for their flight. They are homing pigeons. — © May Sarton
Poems like to have a destination for their flight. They are homing pigeons.
Criticisms are like homing pigeons. They always return home.
No one hit home runs the way Babe did. They were something special. They were like homing pigeons. The ball would leave the bat, pause briefly, suddenly gain its bearings, then take off for the stands.
No one hit home runs the way Babe (Ruth) did. They were something special. They were like homing pigeons. The ball would leave the bat, pause briefly, suddenly gain its bearings, then take off for the stands.
I love the pigeons. I just raise them, period, and feed them. Pigeons go away, and they always come back. You get a touch of freedom, and then they are free to come back to you. I love the idea of pigeons.
Our children take their flight into the future with our thrust and with our aim. And even as we anxiously watch that arrow in flight and know all the evils that can deflect its course after is has left our hand, nevertheless we take courage in remembering that the most important factor in determining that arrow's destination will be the stability, strength, and unwavering certainty of the holder of the bow.
I'll sit in the park and feed the pigeons for a while.' We don't have pigeons.' Then I'll feed the pterodactyls.
I get really nervous if pigeons are flying around before shows. I can't stand them after one once flew in through my bathroom window and went for me while I was having a wee. That was enough. I think pigeons target me.
There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
I am a relatively rational being and I like to create order in poems. I like meter, I like rhyme, but ultimately I don't know where the poems come from, and I feel, at least in the beginning, that I'm taking dictation from my own dream that I don't remember.
Having the opportunity to fly the first flight of something like a space shuttle was the ultimate test flight.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
If you wish to fly to new heights, begin by setting your sights on a destination you can reach and then create a flight plan, a map, that will be your guide.
I admire photographers that don't need a destination. In some ways, street photography is like that. There's a quality of wanderlust for sure in my work, but I need a destination.
As long as you're being honest and there's intention in what you're doing, then I think that energy permeates your field and becomes like a homing signal for other people with like energies.
I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
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