A Quote by May Sarton
If art is not to be life-enhancing, what is it to be? Half the world is feminine - why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity?
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I definitely believe that we really need to stop putting things in masculine and feminine boxes and realize that men and women both contain masculine and feminine energy.
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
I don't understand this concept of women-oriented films or stories based on women, because nobody uses the term, a 'man-oriented' film. Why do you have to separate girls from boys?
Women are penalized both for deviating from the masculine norm and for appearing to be masculine. When women try to establish their competence, they are scrutinized for evidence that they lack masculine (instrumental) characteristics as well as for signs that they no longer possess female (expressive) ones. They are taken to fail, in other words, both as a male and as a female.
I think it's really important to champion stories from trans women and trans women of color. That demographic has gone unheard and unsupported for so long, and it's really the community that's struck the hardest by a lot of issues. I try to do a lot of work to champion trans feminine issues and stories, but that said, I do have a personal and deep investment in seeing trans masculine stories reflected in culture. It is a little disappointing to me that trans men and trans masculine people have not really been part of this media movement that we're experiencing right now.
No [I'm not a feminist] because I love men, and I think the idea of 'raise women to power, take the men away from the power' is never going to work out because you need balance. With myself, I'm very in touch with my masculine side. And I'm 50 percent feminine and 50 percent masculine, same as I think a lot of us are. And I think that is important to note. And also I think that if men went down and women rose to power, that wouldn't work either. We have to have a fine balance.
Perhaps both men and women in America may hunger, in our material, outward, active, masculine culture, for the supposedly feminine qualities of heart, mind and spirit — qualities which are actually neither masculine nor feminine, but simply human qualities that have been neglected.
If we keep on talking about masculine and feminine and following those stereotypes, then we will make women suppress and despise their so called masculine qualities and men suppress and despise their so called feminine ones, and that's where all the trouble starts.
Many of our troubles in the world today arise from an over-emphasis of the masculine, and a neglect of the feminine. This modern world is an aggressive, hyperactive, competitive, masculine world, and it needs the woman's touch as never before.
If we have a situation where a man is particularly graceful in a sport that rewards grace - say, for example, figure skating - why is it that we don't say to the man, 'Well, you're too feminine to compete?'... I don't understand why we don't find it offensive also to say to a women who's very strong, 'You're too masculine to compete.'
The tragedy of feminine design is that it receives so little official support. Most of the world's design schools, having been organized by men, encourage a masculine approach, even when they are run by women. Yet many designers who are male in the biological sense have a feminine approach to design.
I think that it is true that for me as I observe it, that the Western World tends to be more of , tends to encompass more of, the masculine energy of the planet itself, the planet's population. Whereas the Eastern part of the world tends to encompass more of the planet's population's feminine aspects. And for those reasons the East and the West tend to approach God very much as men and women do. So the differences between East and West are the differences between men and women, largely.
I don't really think of my narrator in terms of gender. I think of them much more in basic emotional terms. As an author, you either love yer peeps or you don't. There's no such thing as a "masculine voice" or a "feminine voice". Men and women think and speak and act in, like, a zillion different ways. Also, as a gross generalization: women tend to live closer to their feelings than men.
I've come to the conclusion that beautiful women in the West aren't comfortable finding strength in their femininity. They want to do masculine-oriented things to establish their femininity. It's a contradiction.
I don't know who are the men and who are the women. In French I used to say "je suis un femme et une homme." That is to say a feminine male and a masculine female. A she man and a he woman. What I am interested in is developing a singularity, which would be my own.
I've always sought to express a tension in form and meaning in order to achieve a veracity. I have come to the conclusion that the art world has to join us, women artists, not we join it. When women are in leadership roles and gain rewards and recognition, then perhaps 'we' (women and men) can all work together in art world actions.
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