A Quote by May Sarton

poetry is first of all a way of life and only secondarily a way of writing. — © May Sarton
poetry is first of all a way of life and only secondarily a way of writing.
If you want to change people by talking about God, then there is only one way: instead of teaching God, you must live God. Because: "teaching" God is unthinkable in any other way than the way you would teach love or poetry. You teach love only through love, poetry only through writing poetry, faith in God only through a contagious way of trusting.
I was already writing poetry, so I transitioned from writing poetry a cappella to writing over beats, and it was way more exciting to me that way.
You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life - the important part of writing is living. You have to live in such a way that your writing emerges from it.
You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life; the important part of writing is living. You have to live in such a way that your writing emerges from it.
At times of crisis or distress, it's poems that people turn to. (Poetry) still has a power to speak to people's feelings, maybe in a way that fiction, because it works in a longer way, can't. There's a little bit of your brain that mourns and grieves that you're not writing poetry, but actually as long as I'm writing something, I'm happy.
To think of writing poetry as a "career" is not only ridiculous, it's dangerous. To the imagination. To the way one thinks of art. The reason poetry as a genre is so special is because it cannot be made a commodity.
Poetry is only secondarily about words. Primarily, it is about truth. I dealt with the Ding an Sich, the substance behind the shadow, weaving powerful concepts, similes, and connections the way an engineer would raise a skyscraper with the whiskered-alloy skeleton being constructed long before the glass and plastic and chromaluminum appears.
For me, when I started writing, it was mostly poetry. And poetry is very visual. I feel the same way about the way that I approach direction. There might be a theme within the visuals that you're choosing that people don't consciously pick up on, but that they feel.
I'm conscious of a series of circles working its way through my life. And at this particular moment I have come round to the beginning of my writing cycle. It begins with poetry. There's hardly a day that goes past on which I don't write poetry.
In a way I spend my entire life stealing from everything - from the past, from cities I love, from where I grew up - grabbing things, taking not only from architecture but from Italy, art, writing, poetry, music.
One good way to start writing poetry is to read all kinds of poetry: not just in order to imitate but to fill up your head with it, to absorb it, to make poetry an essential part of how you view the world.
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself.
As far as I can tell, writing the essays didn't change the way I wrote poetry. Although the essays contain scattered passages that might be called lyrical, they often contain closed statements of what is only suggested in the poetry.
Poetry is the most direct and simple means of expressing oneself in words: the most primitive nations have poetry, but only quitewell developed civilizations can produce good prose. So don't think of poetry as a perverse and unnatural way of distorting ordinary prose statements: prose is a much less natural way of speaking than poetry is. If you listen to small children, and to the amount of chanting and singsong in their speech, you'll see what I mean.
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle.
When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?
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