A Quote by May Sarton
Try making a poem as if it were a table, clear and solid, standing there outside you.
Related Quotes
A poem makes clear without making simple. Poetry's language carries what lives outside language. It's as if you were given a 5-gallon bucket with 10 gallons of water in it. Mysterious thirsts are answered. That alchemical bucket carries secrets also, even the ones we keep from ourselves.
If I were straight and I were trying to seduce a woman, I could do it just by standing up at the table when she came back from the bathroom. It works. Every time I do that, all the straight men are sitting at the table and their wives are kicking them. "Look at that!" "You never do that for me!"
You know, I had grown up standing on public sidewalks, saying things that people, you know, were very provoked by and were upset by. And - but standing outside that first soldier's funeral, it was eerily quiet.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up
For poetry is, I believe, always an act of the spirit. The poem teaches us something while we make it. The poem makes you as you make the poem, and your making of the poem requires all your capacities of thought, feeling, analysis, and synthesis.
No one saw the recession coming. The UK businesses were solid as a rock, but the issues we had were in Paris, New York and LA. For every pound we were making here we were losing two pounds abroad.
I would like to make it clear that there were no solid offers to train abroad.
It matters whether women sit at the table. No one speaks up for you when you are standing outside with your nose pressed up against the glass. You cannot window-shop for power.
I had a world theme at my Bar Mitzvah: each table was a different country. I had a miserable time. There was one picture of me, and I'm wearing a double-breasted suit. There were all these people having fun, and I'm just standing there. I look like a corporate lawyer who just found out he's not making partner.
Standing outside the cultural hysteria the trend is fairly clear. It is a trend toward temporal compression and the emergence of ambiguity.
'Two Voices,' from my album with Peter Schwalm, is an intact dream-poem. I awoke one night with an image of a piece of paper and all the words of the poem written on it, so I just blundered down to the kitchen table and 'copied it out.'
Astronomers are pure of heart and appealingly puerile. They look into the midnight sky and ask big questions, just as we did when we were in college: Who are we? Where do we come from? And why are we standing around outside on the night before finals, do we want to end up making elevator parts for a living like our father or what?
Poetry is poetry. My process is I try to write the best poem I can, in the best way to communicate whatever it is the poem is trying to communicate, and then I try to figure out the best way to present that poem to a live audience. It's all craft, just different stages of craft.
For me, form is something I locate in the process of writing the poems. What I mean is, I start scribbling, and then try to form the poem - on a typewriter or on my computer - and, by trial and error, try to find the right shape. I just try to keep forming the poem in different ways until it feels right to me.
A poem doesn't do everything for you.
You are supposed to go on with your thinking.
You are supposed to enrich
the other person's poem with your extensions,
your uniquely personal understandings,
thus making the poem serve you.
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