A Quote by May Sarton

Anyone who is going to be a writer knows enough at fifteen to write several novels. — © May Sarton
Anyone who is going to be a writer knows enough at fifteen to write several novels.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
You can't say, I won't write today because that excuse will extend into several days, then several months, then... you are not a writer anymore, just someone who dreams about being a writer.
I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
I am a writer, which means I write stories, I write novels, and I would write poetry if I knew how to. I don't want to limit myself.
When people asked me what I was going to do when I grow up, I always said, 'I'm going to be a writer. I'm going to write screenplays. I'm going to write books. I'm going to write plays. That's what I'm going to do.'
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
I never really have blank page syndrome. I don't get blocked. I have a plan for my novel before I start which, although incomplete, probably contains enough material for several novels by a quieter kind of writer. And I try to get my arms around that material and see where it takes me.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I don't write tracts, I write novels. I'm not a preacher, I'm a fiction writer.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
I have no skills! I can't speak French, I can't ski, I can't play the guitar... I can barely log on to the Internet! All I know how to do is write novels (thank goodness) and run, and anyone who has seen me run knows I'm not very good at that, either.
It isn't often that a writer of superlative skills knows enough about flying to write well about it.
I have been privileged to write across multiple facets of my life: to write romance novels, to write memoir, to write about leadership, and to write tax and social policy articles. The act of writing is integral to who I am. I'm a writer, a politician, a tax attorney, a civic leader, and an entrepreneur. I am proud of what I've accomplished.
Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.
I think writer's block is simply the dread that you are going to write something horrible. But as a writer, I believe that if you sit down at the keys long enough, sooner or later something will come out.
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