A Quote by May Sarton
Death does frame a person and somehow it is the good that stays.
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Human nature stays the same, the one thing that stays constant, like death and taxes. And people still want good stories!
There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
A thousand times over, the death knell of the Bible has been sounded, the funeral procession formed, the inscription cut on the tombstone, and committal read. But somehow the corpse never stays put.
somehow at parties at which one stays standing up one seems to require to be more concentratedly intelligent than one does at those at which one can sit down.
Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.
Fairness, does not govern life and death. If it did, no good person would ever die young. ~ The blue man
The photograph as an objective representation of reality simply does not exist. The photograph does not explain to you what is going on to the left or to the right or above or below the frame. Oftentimes, it doesn't even explain to you what is going on inside the frame.
The world somehow is always the same. The only thing that can improve is the individual life. One can live a good life. One can give life a meaning. Either by drinking oneself to death or by painting oneself to death or by loving oneself to death.
In earthly life, a person can conceal whether evil or good is active in his soul. After death, this is no longer possible. The spirit form presents after death the physiognomical expression of what the person was on earth.
A dog — a dog teaches us so much about love. Wordless, imperfect love; love that is constant, love that is simple goodness, love that forgives not only bad singing and embarrassments, but misunderstandings and harsh words. Love that sits and stays and stays and stays, until it finally becomes its own forever. Love, stronger than death. A dog is a four-legged reminder that love comes and time passes and then your heart breaks.
I could get my camera and point it at two people and not point it at the homeless third person to the right of the frame, or not include the murder that's going on to the left of the frame.
The lead singer for Deerhunter, Bradford Cox... I don't like saying people are geniuses or whatever, but I just think that dude is so good at every single thing he does. He stays within his genre, but I think he does so well experimenting with stuff.
When you're successful, there will be friends, people, VIPs rallying around you. When you're down and out, you're all alone. That's why it's important to be a good person. Because whether you're a successful cricketer or not can always change, but the respect you earn by being the person you are stays with you.
In 'Padmaavat,' you are pushed to be as good as the frame, to have a presence that lives up to the grand, operatic, intricate, beautiful frame that you inhabit. I love trying to rise to that.
The central Christian belief is that Christ's death has somehow put us right with God and given us a fresh start. Theories as to how it did this are another matter. A good many different theories have been held as to how it works; what all Christians are agreed on is that it does work.
It is the single image, as used in a photograph or a painting - or the frame of a film - to which words have been added to enlarge the context. The method is not the same as that by which most paintings are named. It is closer in its performance to what dialogue does to a movie, to what the caption does to a good poster.
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