A Quote by Maya Angelou

Each time a dancer moves devoutly or a composer faithfully searches the silence for the veiled melodies, eternity is engaged. — © Maya Angelou
Each time a dancer moves devoutly or a composer faithfully searches the silence for the veiled melodies, eternity is engaged.
Eternity isn't some later time. Eternity isn't a long time. Eternity has nothing to do with time. Eternity is that dimension of here and now which thinking and time cuts out. This is it. And if you don't get it here, you won't get it anywhere. And the experience of eternity right here and now is the function of life.
Under all speech that is good for anything there lies a silence that is better, Silence is deep as Eternity; speech is shallow as Time.
One can take eternity and time to be predicates of God since, being the Ancient of Days, He is the cause of all time and eternity. Yet He is before time and beyond time and is the source of the variety of time and of the seasons. Or again, He precedes the eternal ages, for He is there before eternity and above eternity, and 'His kingdom is an everlasting kingdom' (Ps. 145:13). Amen.
And so I fell devoutly asleep and slept a long time, because young people seem to need sleep more than the old, who have already slept so much and are preparing to sleep for all eternity.
Speech is of time, silence is of eternity.
There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt.
I was the first Indian music composer to win the China Gold Award for 'Jimmy Jimmy' from 'Disco Dancer.' Adam Sandler repeated the song in his film 'Zohan.' 'Disco Dancer' is historical, as are 'Sharaabi' and 'Namak Halal.'
When death comes…. I want to step through the door full of curiosity, wondering: what it’s going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body as a lion of courage, and something precious to the earth. [from the poem "When Death Comes"]
There is no dualism in the world of light. The conventions of relativity say that time slows down as one approaches the speed of light, but if one tries to imagine the point of view of a thing made of light, one must realize that what is never mentioned is that if one moves at the speed of light there is no time whatsoever... One exists in eternity, one has become eternal... One is then apart from the moving image; one exists in the completion of eternity.
Silence is as deep as eternity, speech a shallow as time.
Solo dancing does not exist: the dancer dances with the floor: add another dancer and you have a quartet: each dance with the other and each with the floor.
The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
As the Swiss inscription says: Sprechen ist silbern, Schweigen ist golden,- "Speech is silvern, Silence is golden;" or, as I might rather express it, Speech is of Time, Silence is of Eternity.
I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach. I really can’t think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than that — its humanity.
There are two kinds of comprehensive doctrines, religious and secular. Those of religious faith will say I give a veiled argument for secularism, and the latter will say I give a veiled argument for religion. I deny both. Each side presumes the basic ideas of constitutional democracy, so my suggestion is that we can make our political arguments in terms of public reason. Then we stand on common ground. That's how we can understand each other and cooperate.
The louder our world today is, the deeper God seems to remain in silence. Silence is the language of eternity; noise passes.
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