A Quote by Maya Angelou
The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.
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Music bypasses the brain and goes straight to the heart. I wish my life had more of it.
The idea that any photography can't be personal is madness! I see something; it goes through my eye, brain, heart, guts; I choose the subject. What could be more personal than that?
You live through the play at 8 o'clock, straight through, and nobody can call "Cut!" But also with the stage you're getting instant reactions. You hear people snoring in the audience, and bored to tears, or sometimes you hear the laughter, and you can hear them listening.
It’s not the body that people love, but the soul. The body is a temporary vehicle. Without the soul, the body is like a car without a driver. I see through my eyes, smell through my nose, taste through my tongue, hear through my ears, feel through my skin, think through my brain, and love through my heart. But who am I? Who is the witness, enjoyer and sufferer that activates my body?
I think animation is a very truthful way to express your thoughts, because the process is very direct. That's what I've always liked about animation, particularly abstract animation. You go from the idea to execution, straight from your brain. It's like when you hear someone playing an instrument, and you feel the direct connection between the instrument and his brain, because the instrument becomes an extension of his arms and fingers. It's like a scanner of the brain and thought process that you can watch, or hear.
I like how pure the expression is in music. You can go straight to the heart of an audience rather than through their brain.
I've always had an a$$-to-the-brain theory. When a player's a$$ gets put on the bench, a message goes straight to the brain saying, Get me off of here.
If you really want to communicate something, even if it’s just an emotion or an attitude, let alone an idea, the least effective and least enjoyable way is directly. It only goes in about an inch. But if you can get people to the point where they have to think a moment what it is you’re getting at, and then discover it, the thrill of discovery goes right through the heart.
I think I got turned onto The Beach Boys for the first time with the 'Endless Summer' album in 1974. The power of that music still, to this day, bypasses the brain and goes straight to the heart. You don't have to think about it; it's something that you feel.
I don't have to listen to the Gospel on Sunday to know the stories of the New Testament. They inform so much of what I write that they're practically like a news scrim that goes through my brain 24/7.
I try to keep the idea that there's an audience in as little space in my mind as possible, but you can't erase it entirely, the idea that when you're sitting down to write a song, people are going to hear it.
What is straight? A line can be straight, or a street, but the human heart, oh, no, it's curved like a road through mountains.
One of the most powerful aspects of drumming and the reason people have done it since the beginning of being human is that it changes people's consciousness. Through rhythmic repetition of ritual sounds, the body, the brain and the nervous system are energized and transformed. When a group of people play a rhythm for an extended period of time, their brain waves become entrained to the rhythm and they have a shared brain wave state. The longer the drumming goes on, the more powerful the entrainment becomes. It's really the oldest holy communion.
A long iron rod rocketed straight through the very forefront of Phineas Gage's brain. It's kind of an unusual part of the brain: you can suffer pretty severe injuries to it and often walk away from the injury. It's not a part of the brain that's necessarily vital for your biological self. But it is very important for personality.
I don't project no image. I just act like myself. I write about how I feel, the emotional stage I'm in at the time. So I write from the heart. I never write from my mind. My brain, I mean.
That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they kind of talk to you, and also the process of making art, getting back to that idea of the aesthetic experience of making art is very important, It's another way of thinking. Instead of just using your brain, you're using your hands to think with. They're different connections, the brain that comes through the fingertips as opposed that comes through the eyes and ears.
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