A Quote by Maya Angelou
I got my own back.
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I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
We've got to take back the ideal of justice, we've got to take back this principle of human dignity. We've got to take it back from vengeance, from hatred, we've got to say: look, we're all in this together. We are human beings.
I made two or three albums with money from my own pocket, but I couldn't get them released or played on the radio. I got tired of beating my brains out. I got very depressed. I took a break from the business. Then I got bored with that and had to come back.
I love research, and in fact it's liberating because you have to create your own world. No one can say "I've just got back from the 1860s, and you got it wrong." Anyway, it's fiction.
It's a tough path to citizenship. You've got to pay back taxes. You've got to learn English. You've got to have a clear record. You've got to get to the back of the line behind other people who have come here legally or even waiting legally.
You know how it be sometimes: everybody bosses, and they got their own lane going on, they got their own crew, they got their own businesses. And sometimes, you just don't link with people.
I was so involved in my own life I wasn't even aware of what was happening in the outside world, but as I got older I was constantly reflecting back on my own teenagehood and feeling like I hadn't been represented.
I'm coming to a sense of a women's movement which was extraordinarily important in the struggle for freedom in Ireland and immediately afterwards, but then some of those women who were involved in the movement got involved in representative positions and perhaps some of them got a bit distanced from the grassroots issues. But also the women's movement itself seemed to say, "No, we've got our own government, our own parties in power" and they sat back.
You got to have a strong mind if you fall back. When you fall back, they going to count you out. So you got to have a strong mind and know your worth. When you come back, you've got to be different and even more better.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
So, my sweetheart back home writes to me and wants to know what this gal in Bombay's got that she hasn't got. So I just write back to her and says, Nothin', honey. Only she's got it here.
I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.
Been there, done that
Sold crack, got jacked
Got shot, came back
Jumped on Dre's back!
You've got problems in Central Asia. And you've got problems within our own communities back home. So if we end up saying, look, this has nothing to do with Islam or it's got no connection with that broader question, then we look, frankly, as if we're in denial about the problem. And the interesting thing in the Middle East is that they have absolutely no problem there in identifying that as Islamist extremism and calling it that.
It's always frustrating when you drop the ball. But you've got to go back out there, and you've got to put that play in the back of your head and keep on going.
And we have got to go back - I will tell you what we have got to do. We have got to go back to the small disciplines that really make a difference in defining ourselves as a profession. And we will.
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