A Quote by Maya Angelou
The sadness of the women's movement is that they don't allow the necessity of love. See, I don't personally trust any revolution where love is not allowed.
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I don't trust any revolution where love is not allowed.
SADNESSES OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds; Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness.
Brod discovered 613 sadnesses, each perfectly unique, each a singular emotion, no more similar to any other sadness than to anger, ecstasy, guilt, or frustration. Mirror Sadness. Sadness of Domesticated Birds. Sadness of Being Sad in front of One's Parent. Humor Sadness. Sadness of Love Without Release.
The revolution and women's liberation go together. We do not talk of women's emancipation as an act of charity or out of a surge of human compassion. It is a basic necessity for the revolution to triumph. Women hold up the other half of the sky.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
Love without trust does not exist. Love is a strength of trust. Trust is the test of love. When you love, you trust each other. When you don't, you don't. Don't camouflage the word "love" and not trust each other.
That's a KORTAN DAHUK. That's the first alien we see in the film [Valerian]. That's another artist. The first one was Chinese, the one with the space station. This one is American. Personally, that's my favorite alien. I love him. I love his profile and his face. There is such a sweetness and almost a sadness in his face.
Allow beauty and sadness to touch you. This is love, not fear.
A revolution is bloody. Revolution is hostile. Revolution knows no compromise. Revolution overturns and destroys everything that gets in its way. And you, sitting around here like a knot on the wall, saying, “I’m going to love these folks no matter how much they hate me.” No, you need a revolution. Whoever heard of a revolution where they lock arms, as Reverend Cleage was pointing out beautifully, singing “We Shall Overcome”? Just tell me. You don’t do that in a revolution. You don’t do any singing; you’re too busy swinging.
I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.
I love the women's movement, and I never thought of it as belonging to any particular segment of the population.
The women's movement, from my point of view, was part of the larger sexual revolution that 'Playboy' had played such a large part in. The reality is that the major beneficiaries of the sexual revolution are women.
We see now that infringement of freedom is necessary with regard to the opponents of the revolution. At a time of revolution we cannot allow freedom for the enemies of the people and of the revolution. That is a surely clear, irrefutable conclusion.
I mean, let's look at it in the other way. If they claim that words have this mysterious power over people, well, 99 percent of on the songs on the radio deal with the topic of love and we use the term loosely. So, kids have heard love, love, love, love ... the minute they turn on the radio. Do you see any kids doing love? I see them doing crack ... but not love. So, it's bullshit!
Women sometimes allow you to be unfaithful to their love; they never allow you to wound their self-esteem.
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
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