A Quote by Maya Angelou
I agree with Balzac and 19th-century writers, black and white, who say, 'I write for money.' Yes, I think everybody should be paid handsomely; I insist on it, and I pay people who work for me, or with me, handsomely.
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It was Will who broke the silence. "Very well. You have me alone in the corrider-" "Yes, yes," said Tessa impatiently,"and thousands of women all over England would pay handsomely for the privilege of such an opportunity. Can we put aside the display of your wit for a moment? This is important.
I've worked with some great people [in Star Trek], and I was paid handsomely, and it was a nice role. So the whole experience was positive for me.
I just got a lot of expectations and pressure on me, but it is what it is. I've got the best job in the world, I work two or three hours a day and get paid handsomely for it.
You move on. It's work. Yeah, I'm privileged and paid handsomely and it's not exactly being in a coal mine, but you still work your ass off and you work as hard as you possibly can and you hope that people connect to it and enjoy it.
The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them.
When you call me European, I say yes. When you call me Arab, I say yes. When you call me black, I say yes. When you call me white, I say yes. Because I am in you and you are in me. We have to inter-be with everything in the cosmos.
We made a deal that was acceptable to us. We got paid very handsomely for our final season.
It was actually the enormous risks I took with my pictures, skating right up to the edge of non-acceptance, that paid off so handsomely.
Let me say I was trained at Juilliard. I have a very high standard. I expect everybody around me to work equally as hard because people pay a lot of money for tickets. They demand the best that we have.
Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
I'm not really a political-type person, meaning that I don't really make great stands or whatever, but if you ask me a direct question I say it shouldn't matter who you are, whether you're black, white, green, gay, male, female. If you can do a job and do it well you should be paid for it, you should be respected for it, and you have to be responsible. I think sometimes people can go too fare trying to make a point. I think they should just make their point and go on about.
Balzac loved courtesans. They were independent women, and in the 19th century, that was a breed that was just evolving.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
Growing up as a black kid with a white father who loves you, who affirms you, who was part of your life is fundamentally different than what black people in my family were subjected to in the 19th century or the 18th century. But unfortunately, it doesn't change the old racial order. I think we need to let the old racial order just stay where it is and not seek to improve upon it. Not try to create more racial categories, because all that does is it makes a race stick around longer.
If you ask anybody at Microsoft, could they spend more money, all of them would say yes. They should say that! They should say, 'Yes, I have so many terrific innovative, interesting, awesomely impactful ideas that you have to get me more money.' I love that. I love that energy, and I listen to some really fascinating arguments.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
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