A Quote by Maya Angelou

I speak to the black experience, but I am always talking about the human condition. — © Maya Angelou
I speak to the black experience, but I am always talking about the human condition.
I am always talking about the human condition and about American society in particular: what it is like to be human, what makes us weep, what makes us fall and stumble and somehow rise and go on from darkness into darkness and that darkness carpeted.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
Remember, we're talking [in The Black Power Mixtape] about 1967, the year before [Martin Luther] King's assassination. We're talking about the emergence of black power, which is a discussion King mentioned in his last book, Where Do We Go from Here: Chaos or Community? We're talking about the meaning of black power and the possibility that it alienated our supporters, both white and black.
As a black person in this country, I am always frustrated by the lack of attention my people's issues get. But at least the news and politicians are talking about not talking about our issues. Native issues are basically ignored.
Race doesn't mean what it used to in America anymore. It just doesn't. Obama's black, but he's not black the way people used to define that. Is black your experience or the color of your skin? My experience is as a Mexican immigrant, more so than someone like George Lopez. He's from California. But he'll be treated as an immigrant. I am an outsider. My abuelita, my grandmother, didn't speak English. My whole family on my dad's side is in Mexico. I won't ever be called that or treated that way, but it was my experience.
I didn't have that many black people in my life, so I had to sort of search them out. And I didn't grow up in America, but I identified as much with their writing about the black experience as I did with their writing about the human experience.
Most of us live in a condition of secrecy: secret desires, secret appetites, secret hatreds and relationship with the institutions which is extremely intense and uncomfortable. These are, to me, a part of the ordinary human condition. So I don't think I'm writing about abnormal things. ... Artists, in my experience, have very little center. They fake. They are not the real thing. They are spies. I am no exception.
When you speak to potential black and ethnic coaches who want to go into the game, one aspect that they always speak about are role models. They would like to see representation, more at a higher level. And any part I can play in that I am delighted to do.
Pop culture has none of the vibrancy that you find in the folk culture, where people speak directly to their own experience in the human condition.
And what happens a lot of times when - let's just speak specifically white and black - when white or black people feel misunderstood when it comes to talking about race, they immediately get defensive.
I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself.
I am uncomfortable talking about the things that I write. It seems unseemly to me. I have no problem at all when I see anybody else talking about the same project, but I feel my work should speak for itself.
I'm single and loving it. It is always weird talking about that stuff. When someone is talking about who they are going out with, I am always like, who cares? Talk about your music or something.
There's a lot of cruelty going on all the time, and I'm not just talking about inter-human cruelty. I'm talking about whole species becoming extinct, asteroids hitting planets, black holes gobbling up stars.
A human being having a full emotional conversation with a dog is funny, innately. It's one of those things where you get in a scene and you always go for what is the best joke, and a talking dog for some reason, whatever he says, is hilarious." (about his role wiht a talking dog in the forthcoming MEN IN BLACK sequel.
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