A Quote by Maya Beiser
I want to create endless possibilities with this cello. I become the medium through which the music is being channeled.
Related Quotes
It has endless possibilities, and but what we do with our arrangements, we move the borders of cello playing and discover new ways of new techniques of cello playing.
It is the closest instrument to the human voice, and the things you can do on the cello... there are endless possibilities.
People don't think of cello as a rock instrument, really, and we want people to know all the possibilities that the cello can offer.
For me, what I do is an artistic expression which is channeled through me. Fashion is just the medium.
What I know is that the possibilities are always endless when it comes to 'Hamilton.' It's broken several records. Audiences are really being touched by it, they're being moved by it, and they're in love with the music.
I think I was so grateful, in the years after Sleater-Kinney broke up or went on hiatus or whatever you want to call it, to find 'Portlandia' and co-create 'Portlandia' with Fred Armisen, which allows for levity, allows for the same kind of kinetic energy, but channeled through absurdity and surrealism.
I guess I'm interested in pushing the boundaries of the cello without giving up on the idea of playing the cello, if that makes any sense. I have no real interest in putting the cello through different effects to make it sound like a guitar or other instruments.
Painting is a medium in which the mind can actualize itself; it is a medium of thought. Thus painting, like music, tends to become its own content.
Africa needs help, no question about that but I'd rather prefer that the money is channeled. That's what I call smart aid; it's channeled through African civil society groups. These are the groups which can be held more accountable. These are the groups which will sort of monitor how the aid money is spent.
I'd studied piano first and switched over to cello when I was about seven. I played mostly chamber and solo classical music. I got really involved with rock music when I was a teenager. I wired up my cello.
There's endless possibilities to taking music into the future by using music that actually was 100 years old.
I feel very affectionate towards my younger self and all of my fellow collaborators. I think that we were very brave at times. We perpetually took ourselves out of our comfort zones and tirelessly explored endless possibilities, to create music for the times that we lived in.
I personally have no need to make a strict definition of the medium. I am more interested in what can be done with comics than how it can be described, and if I want to remain truly open to the creative possibilities, the less I define the medium, the better.
I particularly enjoy cello music because our daughter plays the cello. I have listened to her practice for so many hours that I am familiar with the music written for that instrument. I am also fond of the popular music of the 1930s because my future husband and I danced to it so many Saturday nights when we were in college.
The possibilities are endless for me - Broadway, TV, music and film.
We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.
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