A Quote by Maya Hawke

Men should be able to see themselves in female characters and female strength, just as much as women are able to see themselves in male characters. — © Maya Hawke
Men should be able to see themselves in female characters and female strength, just as much as women are able to see themselves in male characters.
We're showing kids a world that is very scantily populated with women and female characters. They should see female characters taking up half the planet, which we do.
None of the male characters are as powerful or as interesting as the four central female characters. The men work best as representations of the current stage of a particular female’s psyche. The men function as catalysts, and are certainly important to the development of the story, but the relationships are not the goal. I do not see romance as being what’s central to the success of PRETTY LITTLE LIARS.
The funniest things just come from honesty. We have a tendency to see female characters as representative of something larger than what they are, when male characters are just characters.
Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative.
I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors
I have this theory that the likeability question comes up so much more with female characters created by female authors than it does with male characters and male authors.
I'm just hoping that as I get older, and as more and more movies get made by female directors, what we start to see is how, in the same way good male directors get a shot at creating interesting male and female characters, women do as well.
Just like how male actors get to play varied characters, I would also like to play characters that people don't normally see female characters portraying on screen.
I don't see female characters as different or inferior to male characters.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
There's a remarkable amount of sexism on TV. When male characters are flawed, they're interesting, deep and complex. But when female characters are flawed, they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.
I get the feeling that characters are written female when they have to be, and all the other characters are male, and it doesn't occur to somebody that the lawyer, the best friend, the landlord, whoever, can be female.
I think the superhero platform gives the female character, you know, a relate-ability for the male audience as well. So, I think that's why people are kinda gravitating towards female super hero characters, and also female characters in general as big parts of the film. So, that's great for us, female actors who want to do roles like that, which is really great.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
I like shows where the female characters are as funny as the male characters, not just commenting on how funny the male characters are.
There aren't enough good roles for strong women. I wish we had more female writers. Most of the female characters you see in films today are the 'poor heartbroken girl.'
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