A Quote by Maya Lin
To fly, we have to have resistance. It's all about turbulence. Reacting to images of wave patterns in fluid motion.
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He that can swim needs not despair to fly; to swim is to fly in a grosser fluid, and to fly is to swim in a subtler. We are only to proportion our power of resistance to the different density of matter through which we are to pass. You will be necessarily upborne by the air if you can renew any impulse upon it faster than the air can recede from the pressure.
As in nature, all is ebb and tide, all is wave motion, so it seems that in all branches of industry, alternating currents - electric wave motion - will have the sway.
The brain, being analog, is able to grasp images so much better. The brain is just designed for comparing images and some patterns - patterns in space and patterns in time - which we do amazingly well. Computers can do it, too, but not in anything like the same kind of flexibility.
Epidemiologists study patterns in order to combat infection. Stories about epidemics follow patterns, too. Stories aren't often deadly, but they can be virulent: spreading fast, weakening resistance, wreaking havoc.
Epidemiologists study patterns in order to combat infection. Stories about epidemics follow patterns, too. Stories arent often deadly, but they can be virulent: spreading fast, weakening resistance, wreaking havoc.
There are only patterns. Patterns on top of patterns, patterns that affect other patterns, patterns hidden by patterns, patterns within patterns.
There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
Practicing discipline involves continually working to find space in our patterns, to find the gaps in the images we hold about ourselves. It also means finding the gaps in our ideas about others, releasing images that we hold about a manager, a coworker, a friend, or a partner.
Anyone who dares to speak about an aether is regarded as an ignorant and backward mind and he can only lose his credibility in scientific circles, although in reality those who criticize him use the same concept of intermediate medium in other words, whether it be fields, an associated fluid, a probability fluid, a pilot fluid, a quantum fluid, etc.
When we talk about the Universe Story we are talking about the acquisition of a totally new paradigm, one which overturns many of the patterns that we unconsciously believe to be true. There is not simply the addition of new metaphors and images, but the metaphors and images themselves flow out of a new consciousness inspired by a new awareness of the cosmos.
I can do this thing called the 'eyebrow wave,' where I can move my eyebrows in a...wave-ular motion, whatever you call it. I feel like all the teen magazines have sucked me dry of my cool talents.
I was flying to the Maldives in 2000 when the plane went through turbulence - after that, I didn't fly for four years. Then a job came up in India, so I did a simulator flight and learnt about what goes on in the cockpit. I'm fine now.
There are always patterns in everything, there are patterns in books, there are patterns in human behavior, there are patterns in success, there are patterns for everything in life. You just need to pay attention to them.
I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
Popular culture isn't a freeze-frame; it is images zapping by in rapid-fire succession, which is why collage is such an effective way of representing contemporary life. The blur between images creates a kind of motion in the mind.
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