A Quote by Maya Lin

When I was very little, we would get letters from China, in Chinese, and they' be censored. We were a very insular little family. — © Maya Lin
When I was very little, we would get letters from China, in Chinese, and they' be censored. We were a very insular little family.
China and the U.S. are two societies with very different attitudes towards opinion and criticism. In China, I am constantly under surveillance. Even my slightest, most innocuous move can - and often is - censored by Chinese authorities.
If there's any country that has the capacity not to control North Korea, but to influence North Korea, it's still China. The Chinese always say they have very little influence. They have more than they say they do. We should put pressure on them to do it and there's finally, we're seeing the first signs of a little bit of Chinese disaffection. At some point they're getting tired of the antics of this country. This is a dangerous ally for China to have. And the more Chinese can pressure them and put the economic screws on them, the better it will be for everybody.
My family, although they're very large on both my parents' sides, they don't know much about their family tree. Occasionally, they try to dig, but they can't get very far, and it's baffling. In Dublin, it seems that so many public records were wiped out; it's proven to be very difficult, so I know very little.
The United States is a very insular society. Most people know very little about the outside world and don't care that much. They're concerned with their own affairs.
What I said was that Joe's family was different than my family, that he came from a very affectionate family. My family was very loving, but we didn't show that kind of affection. So for me, that took me a little while to get used to that.
One of the great famines in human history took place during the Chinese Cultural Revolution. [At the same time] Western journalists were reporting how marvelously Chinese society was working. We know so little [about what happens in China].
In the theatre, there were plenty of people having sex all over the place - wanting to, and doing it quite successfully - but male violence? Personally, I have witnessed very little. Very, very little.
I don't have very many little fetishes, but the one I do have is that I like a particular mug to drink out of. It's just a small china cup, and I get very upset if my husband moves it.
I think that the exchange is very important. Before I did the exhibition in Shanghai, I was a judge for the John Moores Painting Prize and that was very interesting for me, because some of the judges are Chinese and some are British, and we look at the work together. It was fascinating that most of the time we were in complete agreement, but some of the time we were not. People send their works from all over China. For a foreigner, this gave me a very good picture about what is happening in China and its art today.
The biggest novelty of 2013 will be new leadership in China. Very little is known about the views of the new leaders - who will rule the country for ten years. But we do know they're the first generation of Chinese leaders who have spent the majority of their lives in a China 'opening up' to the rest of the world.
I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
I'll do what little I can in writing. Only it will be very little. I'm not capable of it; and if I were, you would not go near it at all. For if you did, you would hardly bear to live
Screenplays are not writing. They're a fake form of writing. It's a lot of dialogue and very little atmosphere. Very little description. Very little character work. It's very dangerous. You'll never learn to write.
[I]n Africa I was a member of a family—of a sort of family that the people of your culture haven't known for thousands of years. If gorillas were capable of such an expression, they would tell you that their family is like a hand, of which they are the fingers. They are fully aware of being a family but are very little aware of being individuals. Here in the zoo there were other gorillas—but there was no family. Five severed fingers do not make a hand.
I'm very much for strengthening our industry at home. It's great now there's a lot of work happening but I think with Irish film in particular, the views were starting to get a little stereotypical and we were pigeonholing ourselves a little bit. We needed to get out of that.
I grew up in a family of ten. You had to have, like, a burst appendix to get the floor.... My brothers and sisters are very quick, intense, brilliant, very sarcastic people. And they were always right there with you, right there, missing not one little throat clearing.
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