A Quote by Maya Moore

When I stepped away two springs ago, I just really wanted to shift my priorities to be able to be more available and present to show up for things that I felt were mattering more than being a professional athlete.
There's far more that goes into being a professional athlete than being a college athlete. So many differences that people don't realize. It's not just about playing football and getting paid to do it. There's a lot of things that you have to deal with.
Not only are we going to shift in our own lives - away from always trying to identify ourselves on the basis of what we have, what we do, and who we are better than, and so on - but shift into more reaching out, more service, more kindness, more living the virtues that Lao Tzu spoke about twenty-five hundred years ago.
When I turned professional, what I was really aiming for was to be in the top 100, try to hold the top 100 for ten years, and just be in the show, and have a nice career. It's more than I could have ever hoped for. I worked awfully hard for it, but there are other people who worked just as hard and didn't get the breaks. I recognized that I've been lucky and being able to live this life that I wanted since a young age. I really went after it with everything that I have and somehow it worked out.
I think you have to love yourself and you have to have a strong sense of self-love in order to really show up for other people, because if you love yourself, you're not questioning your own mind any more and you are really able to be present and available for others.
Before even Court Grip, I just wanted to be a part of a brand that I felt that listened to the athlete and really catered to the athlete, and gave us what we were looking for.
I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.
I had a publisher who felt comics were just for little kiddies, so he never wanted me to use words of more than two syllables.
When I finished the Boston race in 1967, there were two things I wanted to do. I wanted to become a better athlete because my first marathon was 4:20. In those days, that was considered a jogging time and I knew people were going to tease me. But I was more fascinated with what women could do if they only had the chance.
You are capable of more than you realize. You are far more capable than you were even 12 months ago. Next year you will be able to do things you can't imagine doing today.
One of my favorite moments was when I stepped onstage for my first Victoria's Secret show in 2010, It felt like all that work finally paid off. I had long legs that I worked hard all year to keep, and it felt great being able to show them off.
Being in New York, and meeting really amazing, talented, eccentric, and bold people, and just feeling really excited about life, got me really revved up and I just felt like everything was at my fingertips - that I could try anything. I really felt invincible. It was such a shift.
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
People who truly have control over time always have some in their pocket to give to someone in need. A sense of priorities drives their use of time and it can shift away from the ordinary work that’s easy to justify, in favor of the more ethereal, deeper things that are harder to justify. They protect their time from trivia and idiocy; these people are time rich. They provide themselves with a surplus of time. They might seem to idle, or relax more often than the rest, but that just might be a sign of their mastery, not their incompetence.
I wanted to be an endurance athlete from a young age. I remember being in a careers class at school and saying I wanted to be a professional athlete and the teacher replying, 'You're not going to make it; it's not possible.'
Coming out of graduation, I didn't immediately know what direction I wanted to do so I decided to just stay as an intern until it really kind of dawned on me and I felt more compelled one way or the other. So I gave it a few years and then after two years it was really clear that deep down I missed being a full time creative artist. Ironically, I started getting clients who were all in the entertainment industry and a lot of them were in comedy!
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