A Quote by Maya Tiwari
I've never been uncomfortable with the host of modern gurus, and gurus of different motivations I should say, or different intentions. You know, we are moving into a time where it's extremely commercial, but then I keep reminding those that I speak to that consciousness has no products, it really has no commerciality.
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Gurus Enable you to see new things. The trouble with Gurus is that you can rarely see beyond them.
We [people] have a teacher! The teacher is ourselves! We already know everything we need to know - our challenge is to discover that we know it. Turning to gurus, I think, we become guru-dependent, no different from drug-dependent, alcohol-dependent - needing an outside force to control our lives.
Keep growing. Stay awake. Beware of gurus. Keep a low overhead.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
In my life, I only kept learning different dance forms, yoga forms. From my gurus, I have learned how to be disciplined and consistency. Do a particular thing continuously, you will get the results.
. . . What do you wish to be? What would you like to become?” I did not know, and I told her so, but the question worried me. Should I know? “There is time,” she said, “but the sooner you know, the sooner you can plan. To have a goal is the important thing, and to work toward it. Then, if you decide you wish to do something different, you will at least have been moving, you will have been going somewhere, you will have been learning.
Bangkok is one of those places where it's so rich and full of tradition, but they're so open to different people - different gender expressions and gender identities. As a gay man, I never once felt uncomfortable there. As a black man, I never once felt uncomfortable.
When we start talking about gurus, first of all we're starting to talk about something that can't be talked about, in the sense that you can never really know what a guru is as long as you are imprisoned by your own thoughts and circular ego. The true guru is someone who's transcended all that. And we don't know anything about that.
There are those that say, if you do the uncomfortable thing long enough, it will become comfortable. But we are really not encouragers of that. We are encouragers of coming into alignment, and then taking the action. We are encouragers always of getting rid of the fear; we would never want you to keep doing things that you feel fearful about. And maybe the path of least resistance is just not get on the horse. Maybe the path of least resistance is to get on a different horse - but we would never move forward in fear.
As he was growing up, his family moved and lived in a number of different places in Utah, Arizona, and Wyoming. I didn't know then that moving around so much should have been a problem, so it wasn't.
I'm moving - as a person and as a writer - through time. I'm a different age. I'm thinking about different things. I have different life experiences. I'm trying to get closer to being honest. And by closer I mean that at different ages I have different ideas of what the truth is, and at any point I'm trying to express that at that moment in time.
I don't know what acting is, but I enjoy it. I think we ask too many questions of ourselves. We make too much importance of stuff. But I do say to actors when I have taught in classes, or when I sometimes do a talk to a group. I'll say, “If I never acted again, the world wouldn't stop, nor would it stop if I didn't stop acting. That's how important it is. I know it [seems] important when you're young. But I say, “Lighten up. Don't take it all so seriously.” All the gurus and teachers will take your money and run.
If I have taken part in anything perceived as the fame machine, it's been my choice. My motivations certainly have been different from some people's that I've worked with. But it's okay to work equally passionately for two different reasons.
I'll say, 'I really like Daenerys,' and then I go, 'Wait, but I like the Stark theme, too, and I like the Lannister theme.' I keep jumping around. But I think that's kind of the beauty of 'Game of Thrones,' that there's so many different ones, and they're all kind of different, and they do different things.
The world is both big and small at the same time. So you really do need to know TV, film and theater. Everyone is kind of moving through all different mediums. So I think it's important to be able to do those things.
Some other people think that awakened consciousness is really about fullness or presence, being completely present for every moment, but these experiences are only one of the dimensions of awakened consciousness. Understanding these different dimensions as facets of awakening can help with the confusion surrounding the different spiritual paths. They're not leading to different places, but rather reflect the luminous and liberated aspects of consciousness itself. These qualities are not far away; in fact, they are right here.
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