A Quote by Mayer Hawthorne

My singing really seemed to connect with people, and it ended up as my main career, which I love. — © Mayer Hawthorne
My singing really seemed to connect with people, and it ended up as my main career, which I love.
I guess I'm attracted to people who are singing about love or life, and they have a particular passion that I can connect with. There are people I can tell are amazing, but I can't connect for some reason. It doesn't really make sense why you connect with someone or you don't.
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
Yet ["One More Try" ] really seemed to connect with people, which is a wonderful thing and a marvelous coincidence.
For an individual, playback singing is not enough to sustain a career, and it is not really a main source of income.
I really had the right nose for making the right decisions, in terms of which projects to do and which projects to stay away from. The people that I ended up becoming very close to in my career are the guys who inspire me.
My mum enrolled me in this free dance class because I had so much energy in the night-time, and she just wanted me to go to sleep. I ended up falling in love with dancing, singing, acting, the whole entertainment world. Then, my mum ended up taking on an extra job so she could fund me to take singing lessons or go to drama classes.
In drama school, I entered a singing competition, which I ended up winning, which was great.
The problem is that affirmative action could never really get at the issue of corporate power in the workplace, and so you ended up with the downsizing; you ended up with de-industrializing. You ended up with the marginalizing of working people and working poor people even while affirmative action was taking place, and a new black middle class was expanding.
I grew up with a lot of people whose whole prime mover was dad rage. I never really had it - it always seemed so empty. It always seemed to be masking something else, which was really their own lack of initiative.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
I had quite a tumultuous start to my career. I used to have two really good games but then my form would dip. I don't think people really understood me and I ended up dropping to the bench.
Like all soul singers, I grew up singing in church but sometimes I would leave early and sit in the car listening to gospel band, The Blind Boys of Alabama. Hearing their lead singer Clarence made me connect the idea of church and show business and see how I could make a career singing music that stirred the soul.
My singing is really important to me, but when children come along they'll be my main focus. I'd never put my career in front of my babies - it'd be a case of fitting jobs around them.
When I was younger, I thought, 'Ok, I'm supposed to do this project because it'll help my career,' but that didn't work because I ended up doing movies that I worked really hard on but I didn't really like and they didn't turn out well, so it was like I lost double. Once I just started working with people and projects I believed in, everything changed and I suddenly had a career that I loved and that I was proud of.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
I guess I'm attracted to people who are singing about love or life, and they have a particular passion that I can connect with.
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