A Quote by Mayer Hawthorne

I just want to make music as long as I can and reach as many people as I can. — © Mayer Hawthorne
I just want to make music as long as I can and reach as many people as I can.
Obviously when you're making music, you want it to get out to as many people as possible. You want to reach as many people as you can.
When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
Music's been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.
I want to reach as many people as possible with the message of music, of wonderful opera.
Comedy can reach many more people than, say, a serious lecture on the topic. And comedy might just be the access point to reach people who want to be entertained and also learn something.
I just want to make music that matters, that people will remember for a long time.
Especially in repetitive music, to make a long piece of music you have to be extremely skilled in your sleight of hand. Just to make long form music it's very difficult and you really have to consider what you're putting someone through.
I don't want to just make music as I want to be legendary. I understand it has to be commercial as I have to feed my family. I am in between these two marks and they are not many people in this space. I want my work to my valued even if my face is forgotten.
There are just so many people making music out there. I've always promoted the idea that everybody needs to make music. I think the more music there is in the world, the better, but it does make it highly competitive.
I don't want to fit in. I want to make music that can reach out to people of all different ages and backgrounds and beliefs and turn us into one, groovin, 'Goodtimenation.'
I want to communicate with people, and I want to make something that works, and that people like. I'm never purposefully trying to be antagonistic or shocking or anything that would push an audience away. I'm always hoping to reach as many people as I can.
It's very interesting to read why Cornelius Cardew became disenchanted with academic avant-garde music. He wanted to reach as many people as possible and change their consciousness. He wanted to reach the "working classes" in England. The kind of music he was making was very much from the academy, even though it had a lot in common with things like free jazz and improvisation, and he felt that it was the music of the elite, and that he wasn't really speaking to the people.
We want our music to reach everybody, so we're using the Internet. Every kid today is online, and we want to make sure our songs reach every one of them.
If you only have the mind of, "We have to sell this music and I have to make money on this music," then it's not really about the music anymore; it's about the money. I'm not saying I don't want to make money, but I'm thinking a little more long-term than just making a buck today.
And remember, also," added the Princess of Sweet Rhyme, "that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you'll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
I gave up that idea of trying to make music that I thought other people would want. I just made music for myself and music for people that I knew.
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