A Quote by Mayer Hawthorne

It's important that when kids are listening to my music they don't think of it as their parent's music. — © Mayer Hawthorne
It's important that when kids are listening to my music they don't think of it as their parent's music.
I think the most important thing is that I'm making music that the people enjoy. So the fans, the people that are out there listening to music and consuming music, I want them to enjoy it and love it. And so that's more important to me than Grammys.
I feed on other people's creativity, photographers, artists of every kind. Sometimes a feeling that you get listening to a song can be so powerful. I've wanted to write whole scripts around what I felt just listening to a piece of music. I think music is important, and surrounding your visual field with stimulating things.
I think live music is really, really important. And I think it's very important to do together. It's much more fun to play to music together than the one person listening to their lone iPod Shuffle. I think it's an amazing way to build community and have children do things that are funded that's not a videogame.
The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.
The main difference between listening to music on a computer and listening to music on vinyl or disc is not sound quality or even portability; it's that when you listen to music on a computer, you listen to music on the same instrument you use to acquire it.
I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music, and that's the important part, not the mop-tops or whatever.
Life is like music for its own sake. We are living in an eternal now, and when we listen to music we are not listening to the past, we are not listening to the future, we are listening to an expanded present.
I'm very easily distracted unless I have music on. Listening to music while I brainstorm makes me think of scenes that would fit the mood of the music I'm playing.
I think that listening to music or creating music is a spiritual undertaking, so the process of creating music, you know, involves listening. It involves sensitivity, it involves humility, you know, and then also it's something which is higher than words.
Christian music was music that I grew up listening to that I can't say has had much of an impact on anything I have done in my adult life. Maybe Christianity has, but certainly not the bullshit Christian music I was listening to when I was 12. To me there's not much substance in that music. I don't have a message or anything.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
You listen to a song by Nicky Jam, and you don't think about reggaeton; you just think, 'I like that song.' I got old people listening to my music, young people listening to my music.
It's too bad music can't be like movies. For me, playing music and listening to music and creating music is very environmental. It creates a certain environment; it sets a specific mood.
When I was growing up, hip-hop music existed as American thing. If you listened to it you were listening to an American subculture, whereas now you're just listening to pop music that everyone shares. I think that's big.
There are many fans of hard rock music that have been wrongly pigeonholed as apathetic. This music is not music for the elitist coffeehouse culture in SoHo. It' s rock 'n' roll music for kids across the land, and I think that makes it much more subversive in a way, in that it has the form and the function of a powerful, populist music, but it can carry very incendiary messages.
My concern with this approach is that music becomes a substance devoid of people. It's a consumer model of what music is: subjects listening to objects. For me, music is subjects listening to subjects. It's about intersubjectivity.
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