A Quote by Maysoon Zayid
The most obvious thing I do is I don't wear a burqa, and I'm definitely not oppressed. Plus, I'm quite obviously an independent thinker, which means as soon as I walk on stage, I dispel a lot of those stereotypes.
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As soon as that was kind of green-lit, it became very obvious to me what I wanted to do and it was an instinctive reaction to my relationship with how I wear my Ugg boots. Which is in London and in New York, I wear them as soon as I get in basically.
I have a bad rote memory, but I tend to learn through my experiences. And then when I went into the markets, and then starting my business as an entrepreneur, that affected my thinking a lot, too, because in order to be successful as both an investor and an entrepreneur, one has to be an independent thinker and bet against the consensus and be right. Because the consensus is built into the price, and if you're not an independent thinker in the markets you won't succeed. And if you're not an independent thinker as an entrepreneur starting out, you're not going to bring anything special.
Obviously the most oppressed of any oppressed group will be its women
My Maria on stage definitely is a real natural part of who I am, but obviously I can't walk around as that girl. You know what I mean? It's definitely an alter ego, but it is part of who I am, it is who I am, it is my life.
Oppressed persons, oppressed cultures, tend to be more political, obviously, as are those with a rage for justice, or the crazy messianic desire.
The music you play, it's never intended for other people, so it's quite amazing dealing with stuff now, because obviously any tracks I write, a lot of folks are going to hear. It definitely plays on my mind quite a lot.
I definitely wear a lot of Tom Ford jackets on stage.
As a woman and as a feminist, I am very well aware of how women have been oppressed and segregated for a thousand of years and I bristle at the fact in 21 century Australia women are still being kept out of public life and I'm sorry, when you wear a burqa you cannot attribute to society as much as you can without it.
The Logos was both that which thought, and the thing which it thought: thinker and thought together. The universe, then, is thinker and thought, and since we are part of it, we as humans are, in the final analysis, thoughts of and thinkers of those thoughts.
Most of my music theory knowledge is based on piano. But I write on guitar a lot, too. I'm not a great guitar player by any means. I'm not a great instrumentalist. I play piano on stage. I don't play guitar on stage, but I use it to write quite a lot.
When I go home, it is quite difficult. Being at Manchester United means it is a huge thing, and when I walk down the street, most people recognize me.
Critical and liberating dialogue, which presupposes action, must be carried on with the oppressed at whatever the stage of their struggle for liberation. The content of that dialogue can and should vary in accordance with historical conditions and the level at which the oppressed perceive reality.
The process of philosophizing, to my mind, consists mainly in passing from those obvious, vague, ambiguous things, that we feel quite sure of, to something precise, clear, definite, which by reflection and analysis we find is involved in the vague thing that we start from, and is, so to speak, the real truth of which that vague thing is a sort of shadow.
At the end of the day it doesn't matter which group is most oppressed or whether they are identically oppressed, what matters is that no group be oppressed.
I was raised as a Catholic. I went to a Jesuit school - obviously, being from Ireland, was brought up in quite a regimented belief structure. I shed a lot of that rigidity and got a sense that there are definitely forces that we don't understand. I think 'magic.' It's a word to apply to some of those things.
I feel like I wear kind of the same things on stage that I would wear every day, unless I'm being lazy, and then I just wear trackies. But actually, if I'm honest, I wouldn't really walk down Kilburn High Street in a leotard, and I would wear that onstage.
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