A Quote by Mayte Garcia
I've been making notes of my life, but when it finally came time to write it, it took me back, and I cried many tears. But I also think that it's liberating.
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Blaire, This teardrop represents many things. The tears I know you’ve shed over holding your mother’s piece of satin. The tears you’ve shed over each loss you’ve experienced. But it also represents the tears we’ve both shed as we’ve felt the little life inside you begin to move. The tears I’ve shed over the fact I’ve been given someone like you to love. I never imagined anyone like you Blaire. But every time I think about forever with you I’m humbled that you chose me. This is your something blue. I love you, Rush
The sun came out,
And the snowman cried.
His tears ran down
on every side.
His tears ran down
Till the spot was cleared.
He cried so hard
That he disappeared.
You never can tell, though, with suicide notes, can you? In the planetary aggregate of all life, there are many more suicide notes than there are suicides. They're like poems in that respect, suicide notes: nearly everyone tries their hand at them some time, with or without the talent. We all write them in our heads. Usually the note is the thing. You complete it, and then resume your time travel. It is the note and not the life that is cancelled out. Or the other way round. Or death. You never can tell, though, can you, with suicide notes.
I was in World War II; I cried when they took me in the Navy. That's the last time I cried.
Three trans women came up to me separately to tell me they had felt such a connection with Ava in 'Ex Machina' and her dream of finally coming to full female fruition. They had all cried; one said she was very emotional during the scene where Ava finally puts her skin on for the first time.
I shoplifted. I was about five years old, and I took a candy from a store. We paid for three of them, but I took four, and I went home and cried. My mom took me back, and I paid for the missing piece.
I cried in English, I cried in french, I cried in all the languages, because tears are the same all around the world.
They took away what should have been my eyes (but I remembered Milton's Paradise). They took away what should have been my ears, (Beethoven came and wiped away my tears) They took away what should have been my tongue, (but I had talked with god when I was young) He would not let them take away my soul, possessing that I still possess the whole.
I think a lot of people - by the time I came back with a script I liked, which took me many years, they'd forgotten who I was. Doors all the time are slamming, you meet friends that you've had for years, you'd go to the studio, and they'd say things to indicate clearly that they hadn't read it, or that they'd had their assistant sort of skim it. They wouldn't buy it. They wouldn't make it.
I had been in a place where I was letting too many people dictate who I should be and what I should be, and I was trying to make everybody happy to the point where it was just killing me. I'd completely lost myself. It's kind of funny now that people think I've completely changed myself for Marilyn Manson, when this is actually the first time in my life that I took a stand and said, "This is who I am and this is who I've always wanted to be, and I'm finally with somebody who lets me be who I want to be."
I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes. . . . I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page.
Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write 'War and Peace' in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling.
Don't apologize for all the tears you've cried, you've been way too strong now for all your life.
The first time I didn't get called back at an audition, I cried. My mom told me, 'We're doing this for fun, and if it's not fun anymore, we're not going to do it. So if you ever cry again, we're going to stop.' I never cried from then on, and I kept that lesson for the rest of my life.
I once took a ride to the beach in L.A., and all along the shore there were all these so-called jazz places. And I saw these college guys and session players playing this fusion Muzak stuff. It was just a lot of notes, and the more notes they played, the more it kept them from expressing anything. So I came back home and got out my Zeppelin albums.
Enough time had passed that I was ready to write the book Hungry. Was it absolutely difficult? Completely. I had to go back and relive one of the more traumatic things in my life. I destroyed my body for three years and I nearly killed myself for a passion that I had. But I was finally able to close the door on that part of my life. It also allowed me to have a voice. And that's something I've wanted since I was a young girl, to be able to be heard.
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