A Quote by Maz Jobrani

Coming from L.A. to D.C., I'm always impressed that in D.C., people are doing the things that the people in L.A. are pretending to do. Whenever I'm in D.C., I ask people what they do, and they say, 'I'm with the agency, or I'm with State.' In L.A., I ran into a guy who said, 'I'm working on an audition for a guy who happens to be with an agency.'
The EPA historically has been an agency where people go to work at the agency and spend their entire career, 30, 40 years at the agency.
I came into the Agency with a set of ideas and attitudes that were quite typical of people coming into the Agency at that time. You could call it liberal anti-communism.
It's always about agency - that's the goal, always, to give agency to people. I think that's always got to be the priority.
They're a lot of great scientists and their mission is to protect people. It's the Environmental Protection Agency, but it's really a people protection agency. And they're out there trying to do their job and do the science.
The most fundamental challenge of the anthropocene concerns agency. For those who lived the Enlightenment dream (always a minority but an influential one), agency was taken for granted. There were existential threats to agency (e.g., determinism) but philosophy mobilized to refute these threats (e.g., by defending libertarianism) or to defuse them (e.g., by showing that they were compatible with agency).
I was modeling with an agency in New York and a manager with the agency introduced himself to me one day and he said he had auditions for someone my age. He asked if I would be interested in doing some.
You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.
I have some notions that have people conceiving of themselves as capable of changing the world. That's why, for me, the issues of self-love, self-respect and self-regard are preconditions for human agency and especially black agency, given the fact that we have been and are such a hated and despised people.
An American is a guy, a rich guy with a family, a decent guy with a family with as many kids as he likes, doing what he wants, working with people that he likes, and enjoying himself to his very old age.
One way we could describe the struggle of life would be to say it is a battle between agency and addiction. Agency is our power to choose, and addiction is what happens when we have lost that power and we are controlled by something else.
To reform the Secret Service, the agency needs a director from outside the agency who will be immune from that culture and not beholden to entrenched bureaucrats within the agency.
I go through airports and people see the white hair and they said, 'Hey, the horse guy! Aren't you the horse guy?' Or I get, 'Has anybody told you that you look just like Bob Baffert?' I say, 'He must be a good-looking guy.'
I pivoted from a pro-Trump guy to more of a journalistic guy, and I'm going to keep making that pivot. So whenever people think of me as, like, a pro-Trump guy, I don't want people to think of me as a pro-Trump guy anymore.
I’ve always been able to tell a lot about people by whether they ask me about my scar. Most people never ask, but if it comes up naturally somehow and I offer up the story, they are quite interested. Some people are just dumb: 'Did a cat scratch you?' God bless. Those sweet dumdums I never mind. Sometimes it is a fun sociology litmus test, like when my friend Ricky asked me, 'Did they ever catch the black guy that did that to you?' Hmmm. It was not a black guy, Ricky, and I never said it was.
The traditional model for a company like Coca-Cola is to hire one big advertising agency and essentially outsource all of its creativity in that area. But Coca-Cola does not do it that way. It knows how to manage creative people and creative teams and it has been quite adept at building a network that includes the Creative Artists Agency in Hollywood, which is a talent agency.
Our feelings alone don't change what happens with the police, what happens in jail, what happens when someone tries to go to the welfare office, the unemployment office, or any kind of state agency where a criminal record comes up for prostitution. How we feel about the commodification of sexuality and violence doesn't actually translate to those people's lives. A lot of the debate is really academic and a waste of time.
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